Stele of the god Surya. India, northeast (Bihar, West Bengal or Bangladesh).
Pala period, 10th-11th century AD.
Black stone.
Conservation: Good general condition, without restorations. The arms of the central figure are missing.
Measurements: 106 cm high.
Open live auction
DESCRIPTION
Stele of the god Surya. India, northeast (Bihar, West Bengal or Bangladesh).
Pala period, 10th-11th century AD.
Black stone.
Conservation: Good general condition, without restorations. The arms of the central figure are missing.
Measurements: 106 cm high.
This black stone stele represents the god Surya, solar divinity of Hinduism, in a composition of great iconographic richness typical of the Pala period (10th-11th centuries A.D.), one of the moments of greatest artistic development in the northeast of the Indian subcontinent. During this period, religious sculpture reached a high degree of technical refinement and symbolic complexity.
Surya appears in the center of the composition, in strict frontality, standing on a lotus flower, symbol of purity and regeneration. The figure is framed in an architectural structure richly decorated and crowned by the kirtimukha, the usual protective motif in Hindu art. The god is represented in his solar chariot, suggested by the wheel at the bottom, pulled by seven horses symbolizing the days of the week and the cyclical movement of time.
On both sides are arranged his consorts, Usha (the dawn) and Chaya (the shadow), accompanied in turn by auxiliary figures such as Danda and Pingala, identifiable by their attributes. The presence of archers and other secondary characters completes the iconographic program, which responds to a hierarchical and symbolic conception of space.
The composition, symmetrical and densely populated with figures, reflects the characteristic aesthetics of Pala art, where the decorative accumulation and the meticulousness of the relief coexist with a clear structural organization.
Overall, the work is an outstanding example of Hindu religious sculpture, in which devotional, cosmological and artistic values are synthesized, testifying to the importance of solar worship in medieval India.
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