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After Titian; 18th century.

Auction Lot 40040718
After TIZIANO (Pieve di Cadore, Veneto, c. 1488/1490–Venice, 1576); 18th century.
“Ecce homo.”
Oil on canvas. Relined.
Measurements: 68.5 x 56.5 cm; 74 x 62 cm (frame).

Open live auction
Estimated Value : 1,500 - 1,800 €
Live auction: 08 Sep 2026
Live auction: 08 Sep 2026 15:00
Remaining time: 38 days 16:34:34
Processing lot please standby
Next bid: 1000

BID HISTORY

DESCRIPTION

After TIZIANO (Pieve di Cadore, Veneto, c. 1488/1490–Venice, 1576); 18th century.
“Ecce homo.”
Oil on canvas. Relined.
Measurements: 68.5 x 56.5 cm; 74 x 62 cm (frame).
The painting faithfully follows Titian’s famous *Ecce Homo*, housed in the Prado Museum, one of the Venetian master’s most successful devotional compositions. As the museum itself notes, the extraordinary acclaim achieved by this work gave rise to numerous replicas produced in the artist’s own studio, as well as later copies and interpretations by various painters, including Domenico Molin—a testament to the image’s widespread popularity and prestige during the 16th and 17th centuries.
With its sober composition and extraordinary emotional power, the work focuses all attention on the bust of Christ, presented in the foreground against a neutral background that eliminates any extraneous elements to heighten the intensity of his gaze and the eloquence of his features. The absence of narrative references does not diminish the scene; on the contrary, it transforms the image into a powerful exercise in contemplation, where the Redeemer’s restrained suffering and dignity become the true protagonists. The rendering of the skin tones, the delicate transition of light, and the nobility of the expression demonstrate the enduring influence of one of the most significant iconographic models of the Venetian Renaissance.
Considered one of the great figures of the European Renaissance, Titian revolutionized Western painting thanks to his masterful command of color, light, and pictorial material. Trained in Venice alongside the Bellinis and deeply influenced by Giorgione, he quickly gained the favor of the leading Italian and European courts, becoming the painter to emperors, popes, and princes. His relationship with Charles V and later with Philip II cemented his international prestige and played a decisive role in the spread of his artistic style in Spain, where it exerted a decisive influence on generations of artists, from the Golden Age through later periods.

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