SVCCY
“Urban Jungle,” 2020.
3D art (non-AI) on 3 mm aluminum.
Printed using 6-color direct UV technology and finished with a
glossy protective coating.
Highly durable, weather-resistant, and structurally stable.
Certificate of authenticity included. The artwork will be available approximately 15 days after payment is received.
Measurements: 70 x 100 cm.
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DESCRIPTION
SVCCY (Ravenna, 1997).
“Urban Jungle,” 2020.
3D art (non-AI) on 3 mm aluminum.
Printed using 6-color direct UV technology and finished with a
glossy protective coating.
Highly durable, weather-resistant, and structurally stable.
Certificate of authenticity included. The artwork will be available approximately 15 days after payment is received.
Measurements: 70 x 100 cm.
In *Urban Jungle*, SVCCY creates an imaginary city dominated by accumulation, verticality, and a profound shift in scale. Amid numerous residential blocks stands a sculptural-looking male figure, inspired by the classical tradition, whose body seems to force its way through the buildings. His raised arm and clenched fist introduce a marked upward tension, associated with resistance, assertion, and the will to liberation.
The work establishes a dialogue between the idealized solidity of classical sculpture and the psychological fragility of the contemporary metropolis. The monumental figure can be interpreted as a resident struggling to assert himself against his surroundings, but also as a presence immobilized by the city itself. This ambivalence transforms the composition into a reflection on isolation, overcrowding, and the search for identity in today’s urban spaces.
SVCCY is an Italian visual artist who began his career in 2016, first in digital collage and later in 3D graphics. His work explores themes such as identity, authenticity, and illusory freedom in the context of the technological and media revolution, employing sculptural-looking human figures that are often faceless or covered by objects. In 2023, he presented the solo exhibition “Dystopian Constructions” at W1 Curates on Oxford Street in London, and that same year he created visual projections for Bellini’s “Norma” and Verdi’s “Nabucco” at the Ravenna Festival, under the direction of Riccardo Muti. His work has also been shown in Shibuya, at Milan Digital Art Week, London Digital Art Week, Artcrush Gallery, and Clear Channel Belgium; in 2026, he will present “NEO-CLASSIC DYSTOPIA” in Bologna and is featured in the publication “222 Emerging Artists to Invest in 2026.”
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