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Charles and Ray Eames for Herman Miller

Auction Lot 98 (40050744)
CHARLES EAMES (U.S., 1907–1978) & RAY EAMES (U.S., 1912–1988) for Herman Miller.
“Shell” Chair, 1950–1959.
Fiberglass.
Partially restored. Retains its original condition, with an aged patina and a stable frame.
Measurements: 80 x 65 x 60 cm.

Open live auction
Estimated Value : 800 - 1,000 €
Live auction: 13 Oct 2026
Live auction: 13 Oct 2026 12:30
Remaining time: 19 days 06:33:45
Processing lot please standby
Next bid: 700

BID HISTORY

DESCRIPTION

CHARLES EAMES (U.S., 1907–1978) & RAY EAMES (U.S., 1912–1988) for Herman Miller.
“Shell” Chair, 1950–1959.
Fiberglass.
Partially restored. Retains its original condition, with an aged patina and a stable frame.
Measurements: 80 x 65 x 60 cm.
Charles and Ray’s iconic Shell Chair reflects their iterative spirit. Dynamic 3D veneer technology allows for the complex curves of its unique shell form, crafted from wood veneer. This iteration was introduced in 2013. This is a line of chairs whose shell is crafted from a single molded piece to conform to the contours of the human body, combined with an intricate and elegant design that exceptionally blends three fundamental concepts in interior design: lightness, elegance, and structural strength.
Charles and Ray Eames, a married couple and artistic partners, worked in the fields of industrial and graphic design, fine arts, and film, and are responsible for numerous designs that have become 20th-century classics. Charles Eames studied architecture for two years at the University of Washington, after which he began his career working in a studio on residential housing projects. In 1938, he moved to Cranbrook, Michigan, to continue studying architecture and design at the city’s Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen—the son of his mentor, Eliel Saarinen—he designed the trophy for the Organic Design Award, presented by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together—known as the “Eames House”—which is today considered a masterpiece of modern architecture. In the 1950s, the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. Their work is currently represented at the Design Museum in London and the MoMA in New York, among many other institutions.

COMMENTS

Partially restored. It remains in its original condition, with an antique patina and a stable structure.

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