Louis Chalon
"La pensée", c. 1910.
Patinated bronze.
Signed with stamp of the Foundry Jouet&CIE".
Measurements: 56 x 50 x 30 cm.
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DESCRIPTION
LOUIS CHALON (Paris, 1866 - 1940).
"La pensée", c. 1910.
Patinated bronze.
Signed with stamp of the Foundry Jouet&CIE".
Measurements: 56 x 50 x 30 cm.
Seated with almost architectural aplomb, La Pensée is presented as an allegory. The female figure, naked to the waist and wrapped in a wide cloth that falls in dense and controlled folds, rests her head on her right hand in a gesture of classical introspection. Executed around 1910, the work is situated at a key moment of transition in French sculpture. Chalon departs here from the organic arabesque of late Art Nouveau to move towards a formal purification that anticipates Art Deco: restrained symmetry, economy of gestures, predominance of volume over detail and a design that dispenses with decorative excess.
These features are in dialogue with other works by the sculptor dedicated to allegorical female figures and intellectual or artistic themes. In comparison with his representations of muses or dancers, more dynamic and with a stylized silhouette, La Pensée opts for a more solid corporeality. Compared to Chalon's pieces where ornament and the sensuality of movement are in the foreground, here restraint dominates:
Louis Chalon (Paris, 1866-1940) was a prominent French painter, sculptor and illustrator trained with Jules Lefèvre and Boulanger. He participated regularly in the Salon des Artistes Français, where he won several distinctions, and in the Paris Universal Exhibitions of 1889 and 1900. He developed an intense work as an illustrator for important magazines and for editions of classic authors such as Rabelais, Boccaccio and Balzac.
From 1898 he devoted himself fully to sculpture, specializing in mythological and Wagnerian themes from a symbolist and modernist sensibility. He worked mainly in bronze, creating both sculptures and decorative objects, and also explored the chryselephantine technique, as well as the design of scenery, theatrical costumes and furniture. His work synthesizes the fin-de-siècle spirit and the formal richness of Art Nouveau.
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