Auction Lot: 35278420
End of Auction : 29 Aug 2022 18:43
Remaining time: 2022-08-29 18:43:00 GMT+02:00
Estimated Value : 400-500 €
Next bid 150


EDUARDO NARANJO (Monesterio, Badajoz, 1944).
"Diálogo de transmundos", 1981.
Lithograph on Arches paper, copy 242/298.
Signed, dated and justified by hand.
It has slight stains on the paper.
Measurements: 58,5 x 50 cm.
An outstanding contemporary Spanish painter recognised as one of the great exponents of magical dream realism, Eduardo Naranjo began his artistic training in 1957 with his teacher Eduardo Acosta, and that same year he entered the School of Arts and Crafts. In 1960 he continued his studies at the Santa Isabel de Hungría School of Fine Arts in Seville, and a year later he moved to the San Fernando School of Fine Arts in Madrid, where he completed his studies. After his academic period, Naranjo decided to move to Paris, where he became deeply acquainted with the work of Picasso and artists such as Matisse. His work is defined by the technical exploration of painting, although he has also worked with sculpture and in the field of scenography. In addition, between 1986 and 1991 he made a series of engravings for the book "Poeta en Nueva York" by Federico García Lorca. Eduardo Naranjo's artistic career includes important prizes and awards, such as the Luis de Morales de Badajoz prize (1974), the Medal of Extremadura (1991), the María de Salamanca National Engraving Prize of the Museum of Contemporary Spanish Engraving (1994) and the Cross of Military Merit for his contribution to the Arts and the Army (1995). Throughout his career he has held solo exhibitions all over the world, and today he is one of the most sought-after living Spanish painters. In fact, his fame is international, being admired in countries as far away as China, where he has exhibited numerous times and has been invited to give master classes in Chinese universities. Today his work is divided between private international collections and numerous public museums, including the Museo Nacional Centro de Arte Reina Sofía in Madrid and the Nagasaki Museum in Japan, as well as countless private collections, including the Masaveu Collection in Oviedo.


Presenta ligeras manchas en el papel y restos de adhesivo en el reverso.



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