Markus Öehlen
"Holes," 2005.
Oil on canvas.
Presents label on the back of the Juana de Aizpuru Gallery, Madrid.
Signed and dated.
Measurements: 250 x 200 cm.
This work is framed within the orbit of abstract expressionism. It is an open style, whose basic characteristic is the conception of the pictorial surface as a whole, as an open field, without limits and without hierarchy. Thus, as we see here, the pictorial forms, the result of chance and experimentation, pure stain and gestural brushstroke, are not limited to a composition but go beyond, indicating to the viewer that it is about forms, ideas or suggestions that go beyond the boundaries of the purely pictorial.
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BID HISTORY
DESCRIPTION
MARKUS ÖEHLEN (Krefeld, North Rhine-Westphalia, 1956).
"Holes," 2005.
Oil on canvas.
Presents label on the back of the Juana de Aizpuru Gallery, Madrid.
Signed and dated.
Measurements: 250 x 200 cm.
This work is framed within the orbit of abstract expressionism. It is an open style, whose basic characteristic is the conception of the pictorial surface as a whole, as an open field, without limits and without hierarchy. Thus, as we see here, the pictorial forms, fruit of chance and experimentation, pure stain and gestural brushstroke, are not limited to a composition but go beyond, indicating to the viewer that it is about forms, ideas or suggestions that go beyond the boundaries of the purely pictorial.
Markus Öehlen is a German visual artist who works with painting, sculpture and music. In the 1970s and 1980s he was a founding member of the influential neo-expressionist art movement Neue Wilde in Düsseldorf together with Martin Kippenberger, Markus Lüpertz and his brother Albert Oehlen. Oehlen studied at the Kunstakademie Düsseldorf (Alfonso Hüppi). He uses a punk style that opposes minimalism. The aim was to attack the nature of minimalism with a style of painting that is based on instinct and gesturally emphasizes the wild, spontaneous, obsessive and sensual. Oehlen has continuously developed his work, in parallel with painting, sculpture and musical projects. His new works are increasingly inspired by the perceptual experiments of Op Art, with printed image interferences occurring in grid-like patterns above and below the image layers. Markus Oehlen's complex, layered images are composed of a plethora of found images, shapes and distorted pictorial elements that, taken out of their previous context, take on new function and meaning. By rearranging the individual compositional elements of the canvases in the context of the art, Oehlen creates surreal still lifes that were not originally intended for it, playing with the notion of randomness and suggesting strange narratives. The images on large canvases convince with their radical approach to painting. He participated in the group exhibition Von hier aus - Zwei Monate neue deutsche Kunst in Düsseldorf in 1984. In 1993 he exhibited at the Museum of Modern Art in New York: "Projects 39"- with Georg Herold. In addition Oehlen was a founding member of the bands Mittagspause, Fehlfarben, Flying Klassenfeind, Vielleichtors and Van Oehlen. Since 2002, he has been a professor at the Academy of Fine Arts in Munich.
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