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Setdart Magazine

Pere Pruna and the world of the circus: between Picasso, Classicism, and the stage
October 23

Pere Pruna and the world of the circus: between Picasso, Classicism, and the stage

In Pere Pruna’s paintings, the circus does not appear merely as a subject. It is, above all, a space of performance in which the human figure can break free from everyday reality to take on a more stylized, silent, and poetic dimension. Harlequins, Amazons, acrobats, and masked characters are part of a visual universe where classical tradition, the experiences of the Parisian avant-garde, and a deeply theatrical conception of the image converge. This aspect finds particularly significant expression in Circus Scene, a 1934 oil on canvas that brings together several of the characteristic elements of Pruna’s artistic language. The composition


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