Upcoming Auctions
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September 1
Handbags and Accessories
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September 2
19th and 20thcentury art: Painting from Galicia
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September 2
19th and 20th century art
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September 3
Luxury day: Watches
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September 3
Luxury day: Fountain pens, ballpoint pens and lighters
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September 7
Contemporary Art: Graphic work and photography
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September 7
Contemporary Art
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September 8
Old Masters
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September 9
Design I: Seating & Decorative Objects
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September 10
Design II: Tables, Lighting & Storage
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September 14
Unique Items for Collectors
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September 15
Luxury day: Jewelry
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September 16
19th and 20th century art
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September 16
19th and 20th century classics: Photographs and postcards by artists
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September 17
A Collection of Iconic Autographed Film Posters
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September 22
Decorative Arts
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September 22
Archaeology
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September 22
Oriental Art
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September 23
Contemporary Art and latest trends
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September 23
Amleto Dalla Costa: Italian Pop Art
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September 29
Private Collection: Paintings & Decorative Arts
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September 30
Private collection: Masters of Catalan sculpture
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September 30
Private collection: Masters of European Sculpture
Setdart selection
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Baltasar LoboLot 40047261 -
"You and Me" ring, 1930s.Lot 40050296 -
PerejaumeLot 40025349 -
Cartier Diabolo, 1990s.Lot 40035188 -
Rolex GMT-Master “Root Beer” or “Clint Eastwood,” ca. 1973Lot 40039707 -
ArmanLot 40039232 -
Titanic (1997), a poster signed by Leonardo DiCaprio and James Cameron.Lot 40039135 -
Girard-Perregaux ww.tc "Lady Shopping"Lot 40034694
Setdart Magazine
In conversation with Sofia Fuglsang-Madsen: “It can look spontaneous from the outside but behind every bid there’s a real market logic”
Few people understand the mechanics behind an auction as closely as Sofia Fuglsang-Madsen, Business Developer & International Sales Manager at Setdart Auction House. Drawing on her experience shaping Setdart’s international growth, Sofia shares the stories, the results, and the philosophy behind some of the auction house’s most memorable moments. I think what really captivated me was the format itself: the auction process. You have the privilege of handling works that carry profound historical weight, objects that have already outlived generations of owners, and yet their value isn’t decided by us, or by any single expert. It’s defined live, in real
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