Víctor Mira

VÍCTOR MIRA (Zaragoza, 1949 – Munich, 2003).
“Muleta.”
Mixed media on wood.
Signed, dated, and titled in the upper left corner.
Measurements: 65 x 114 cm; 80 x 130 cm (frame).
In *Muleta*, Víctor Mira presents an intense exploration of form in which the material takes center stage. The surface is constructed through the accumulation of reliefs, folds, wrinkles, and embedded elements, creating a rough and irregular texture that seems to preserve the physical imprint of the creative gesture. The wood, partially visible beneath successive layers, serves as both a support and an active component of a composition of great expressive power.
A sculptor, painter, printmaker, and writer, he was largely self-taught. At the age of eighteen, he held his first solo exhibition at the N’Art Gallery in Zaragoza, which was also the first outdoor sculpture exhibition ever held in that city. Shortly thereafter, he moved to Madrid, where he exhibited in 1973 at the Pol Verdié Gallery. After spending some time splitting his time between Madrid and Germany, he settled in Barcelona in 1977. In 1979, he held his first solo exhibition in Munich at the Tanit Gallery, and the following year he showed his work in the United States at the George Staempfli Gallery in New York. From then on, his international career took off, with exhibitions in Germany, the United States, the Netherlands, Switzerland, Sweden, Norway, Colombia, France, Belgium, and Austria, while he continued to exhibit regularly in Spain. In 2003, shortly before his death, he received the award for best living Spanish artist at the ARCO Art Fair. The most recent retrospective exhibition dedicated to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling Gallery. Works by Mira are held in museums and private collections around the world, notably the Museum of Modern Art in New York, the Reina Sofía National Art Center, the MACBA, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the ICO Collections Museum in Madrid.