Jean Baptiste Monnoyer
“Still Life with Flowers.”
Oil on canvas mounted on panel.
The panel has been reinforced.
It retains its original frame.
Measurements: 61 x 98 cm; 84 x 122 cm (frame).
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DESCRIPTION
JEAN BAPTISTE MONNOYER (Lille, France, 1636 – London, 1699).
“Still Life with Flowers.”
Oil on canvas mounted on wood panel.
The panel has been reinforced.
It retains its original frame.
Measurements: 61 x 98 cm; 84 x 122 cm (frame).
A floral composition by Jean-Baptiste Monnoyer, one of the great masters of flower painting in the French Baroque period, in which the horizontal arrangement of the bouquet and the richness of its botanical varieties stand out. The seemingly spontaneous arrangement of the stems and flowers, together with the large format, gives the work a distinctly decorative character, characteristic of floral paintings associated with the grand European interiors of the 17th century.
One of the most appealing aspects of the painting is the arrangement of the bouquet, which unfolds in width and depth from an oval, woven basket; furthermore, the grayish background, with its uniform tone and atmospheric treatment, allows all attention to be focused on the floral arrangement and accentuates the chromatic richness of the composition. The painting bears an interesting resemblance to the floral still lifes in the Carmen Thyssen Collection at the Thyssen-Bornemisza National Museum, which includes two compositions by Monnoyer titled Bouquet of Chamomile, French Roses, and Other Flowers and Bouquet of Anemones, York and Lancaster roses, and other flowers. In these works, the artist demonstrates his extraordinary ability to combine different species and create floral arrangements of great delicacy, paying attention both to the individuality of each flower and to the overall balance of the bouquet. Although those works are smaller in size, they share with this painting the central focus on botanical variety. Furthermore, its horizontal composition and ornamental design allow it to be linked to the large decorative arrangements created by Monnoyer for aristocratic and royal residences. Particularly significant is the parallel with the floral paintings preserved in historic British collections, such as those at Burghley House and the National Trust estates.
Jean-Baptiste Monnoyer (Lille, 1636 – London, 1699) was one of the leading figures in French Baroque floral painting. He developed his career in Paris under the influence of Charles Le Brun, participating in major decorative projects for the court of Louis XIV and working for the royal tapestry manufactories of Gobelins and Beauvais. Admitted to the Royal Academy of Painting and Sculpture in 1665, he achieved notable recognition for his compositions of flowers and fruits. In 1690, he moved to England, where he created important decorations for aristocratic and royal residences, including Montagu House and Kensington Palace. His work is preserved in prominent institutions such as the Louvre Museum, the Musée Fabre in Montpellier, the Thyssen-Bornemisza National Museum, and various British historical collections.
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