Cinerary urn for a married couple. Rome, late Republic–early Empire, 1st century B.C.–1st century A.D.
Marble.
Condition: good. The urn is intact except for a couple of cracks along the upper rim, near the joint with the lid, which do not affect the side scenes. The lid has a crack at the tip of one corner and some loss of material in the upper section.
Provenance: private collection, France, assembled in the early 20th century.
Measurements: 38 cm long; 30 cm deep; 35.5 cm high. Height without lid: 28.5 cm.
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DESCRIPTION
Cinerary urn for a married couple. Rome, late Republic–early Empire, 1st century BCE–1st century CE.
Marble.
Condition: good. The urn is intact except for a couple of cracks along the upper rim, near the joint with the lid, which do not affect the side scenes. The lid has a crack at the tip of one corner and some loss of material in the upper area.
Provenance: private collection, France, assembled in the early 20th century.
Measurements: 38 cm long; 30 cm deep; 35.5 cm high. Height without lid: 28.5 cm.
Important Roman cinerary urn in marble, likely designed to hold the ashes of a married couple. The piece adopts an architectural structure, resembling a small funerary monument, with arches, columns, capitals, pediments, and a decorated lid, following a style characteristic of Roman commemorative architecture.
The decoration is organized across different registers and sides, featuring child figures or busts beneath arches, hanging motifs, and carefully carved architectural elements. These types of urns were not merely funerary containers, but objects of remembrance and social representation. In Roman times, decorated marble urns were associated with burials of a certain economic standing and could express the identity, rank, family ties, and aspirations for permanence of the deceased. The Art Institute of Chicago holds a Roman cinerary urn identified as likely intended for two individuals, presumably a husband and wife, which offers a significant parallel for the interpretation of this type of piece as representing a married couple.
In this example, the miniature architecture lends the urn an almost sacred dimension: the columns and arches transform the images of the deceased into presences housed within a monumental space. The repetition of figures and portraits on different sides reinforces the idea of family memory, while the carved lid, with geometric and plant motifs, completes the piece as a self-contained, solemn, and highly refined object.
Due to its age, material, architectural complexity, preservation with a lid, and probable use in a marriage context, this urn constitutes a piece of exceptional interest within the field of Roman funerary sculpture collecting. Its value lies both in its material quality and in its ability to condense, in a small format, architecture, portraiture, family memory, and funerary ritual.
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