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Anthropomorphic huaco. Moche, Peru, c. 500–700 CE.

Auction Lot 42 (40041636)
Anthropomorphic huaco. Moche, Peru, c. 500–700 CE.
Terracotta.
Condition: intact.
Provenance: private collection of David Sheridan, Branchburg, New Jersey, acquired between 1950 and the early 2000s by family descendants; private collection in Arizona; previously, Harvey Sarner collection, Chicago.
Measurements: 26 cm high.

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Estimated Value : 3,000 - 3,400 €


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DESCRIPTION

Anthropomorphic huaco. Moche, Peru, c. 500–700 CE.
Terracotta.
Condition: intact.
Provenance: private collection of David Sheridan, Branchburg, New Jersey, acquired between 1950 and the early 2000s by family descendants; private collection in Arizona; previously, Harvey Sarner collection, Chicago.
Measurements: 26 cm high.

Anthropomorphic Moche terracotta huaco, with a globular body and cylindrical neck, featuring a frontal depiction of a richly detailed figure. The figure features a face modeled in relief, almond-shaped eyes, a prominent nose, a closed mouth, and a decorated headdress, as well as circular earrings, a necklace, and arms bent over the body of the vessel.

The Moche culture, which flourished on the northern coast of Peru between the 2nd and 7th centuries AD, achieved extraordinary mastery in sculptural pottery. Its anthropomorphic huacos constitute one of the most refined examples of its ability to integrate form, function, and image, transforming the vessel into a medium for social, ritual, and symbolic representation.

In this example, the figure is depicted with marked solemnity and frontal orientation, traits that suggest a figure of high rank or an entity linked to the ceremonial sphere. The headdress, earrings, and necklace reinforce its distinctive character, while the arrangement of the hands on the body lends a hieratic and restrained dimension. The interplay of reddish and cream tones, along with traces of dark pigmentation, accentuates the main features and adds visual depth to the composition.

The piece also stands out for its excellent state of preservation, as well as its documented provenance, having passed through North American private collections and the former Harvey Sarner Collection in Chicago.

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