Sculpture of Eros. Rome, 2nd–3rd centuries AD.
Marble.
Condition: generally good. The face has been restored, and there are repairs to the left breast and the groin area.
Provenance: private collection of J. M., Amesbury, United States, 1960–1970.
Measurements: 54.5 cm high.
Open live auction
DESCRIPTION
Sculpture of Eros. Rome, 2nd–3rd centuries AD.
Marble.
Condition: generally good. The face has been restored, and there are repairs to the left breast and the groin area.
Provenance: private collection of J. M., Amesbury, United States, 1960–1970.
Measurements: 54.5 cm in height.
An important Roman marble sculpture depicting Eros, the deity associated with love, desire, and youthful vitality. Given its scale, material, and sculptural quality, the piece belongs to a type particularly prized in the Roman Empire, where images of Eros were widely disseminated in domestic, decorative, funerary, and symbolic contexts.
The figure appears nude, with a childlike anatomy, a dynamic pose, and one leg bent, following Hellenistic models reinterpreted by Roman workshops. The soft rendering of the torso, the curve of the body, and the serene expression of the face reflect the Roman taste for images of minor deities, winged genii, and childlike figures with a strong idealizing quality. In antiquity, Eros was not merely a charming or decorative figure: he could embody the irresistible force of love, youthful beauty, playfulness, fertility, and, in certain contexts, the permanence of the emotional bond beyond death.
The piece retains fragmentary elements in the hands, now partially lost, which may have corresponded to iconographic attributes or a broader composition. This fragmentary condition is common in ancient marble sculptures and does not prevent one from appreciating the work’s remarkable presence, especially in the volume of the body, the arrangement of the legs, and the slightly animated frontal composition.
The restorations on the face, as well as the reconstructions on the left chest and the groin area, should be understood within the material history of the piece and its conservation.
The marble representation of Eros, a legacy of Hellenistic refinement reinterpreted by Roman visual culture, makes the piece a prominent testament to the imperial taste for images of ideal beauty, affection, and symbolic power.
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