Patterned cloak. Nazca, Peru, 1st–6th centuries A.D.

Patterned cloak. Nazca, Peru, 1st–6th centuries AD.
Textile.
Condition: It has a few small holes at the top and below the figure’s leg. No restorations.
Provenance: private collection, United States; acquired at the Stair Gallery, New York.
Measurements: 104 cm high.

An important textile cloak belonging to the Nazca culture, one of the great artistic traditions of ancient Peru. Textiles played a central role in Andean societies, not only as objects of daily use or for warmth, but also as symbols of identity, prestige, and ritual significance. Its survival to the present day is particularly exceptional given the fragility of organic materials, which lends this piece remarkable historical and collectible value.

The piece features a deep red background, edged with fringes at the ends, against which an anthropomorphic figure of great visual impact is depicted. The figure, woven in dark tones, is depicted facing forward, with raised arms, legs spread apart, and a stylized, geometric face, creating an image of an almost totemic nature. This iconography refers to the Nazca ceremonial universe, where human figures, animals, and hybrid beings were part of a symbolic language linked to fertility, power, transformation, and the ritual sphere.

The formal economy of the figure—constructed using straight lines and stark chromatic hallmarks—reinforces its emblematic presence. The dominant red of the textile intensifies the visual impact of the composition and lends the work a powerful ceremonial dimension. Unlike other smaller-scale archaeological objects, this cloak retains a strong physical and spatial presence, capable of clearly conveying the technical and symbolic sophistication of pre-Columbian textile art.

The fabric’s condition—unrestored and with only a few small, localized holes—allows one to appreciate the piece’s original structure, its fringes, and the chromatic intensity of the whole. Given its age, provenance, format, iconography, and state of preservation, it is a particularly significant example within the field of Andean pre-Columbian art collecting.