Albert Carrier Belleuse

ALBERT CARRIER BELLEUSE (France, 1824-1887).
"Diana hunter".
Patinated bronze. Gilded bronze pedestal.
Signed.
Size: 71 x 23 x 16 cm.

The fine treatment of the face and the precise execution of the drapery of this young Diana the Huntress testifies to Albert Carrier Belleuse's mastery of sculptural plasticity. The goddess wears a draped tunic and crowns her head with a tiara. In her left hand she holds a quiver of arrows.

French sculptor and draftsman trained at the School of Fine Arts in Paris, recognized for his neoclassical sculptures of great realism and delicacy. In this case, the sculptor worked on a group of four "putti" playing with a goat. One of the cherubs sounds a tambourine while being pulled by the cloth by another of the children in an attitude of movement. It is a balanced work where the representation of movement is an essential point of the work itself. In his first stage of training he was a disciple of the medalist David d'Angers, moving later to England, to return to France definitively in 1855. He made his debut at the Salon des Artistes Français in 1851, but did not become famous until 1861, when he presented his group "Salve Regina", a work that won him the third medal. In 1866 he obtained the first medal with his work "Angelica", and in 1867 he obtained the medal of honor of the Salon, besides being decorated with the Legion of Honor. In his sculpture workshop, he worked for a long time as the marble artist Auguste Rodin. In 1876 he was appointed director of artistic works at the National Porcelain Factory in Sèvres and in 1884 he published "L'application de la figure humaine à la decoration et à l'ornementation -industrielles", a collection of two hundred drawings in which he depicts anthropomorphic objects based on his ideas about the decorative arts. Some of his works can be found in the Prado Museum.