Russian icon, 19th century.

Russian icon, 19th century.
"Festivities, with scenes from the life of Jesus."
Tempera on wood.
It has old touch-ups and chips on the edge.
Measurements: 35 x 30 x 3 cm.
Russian icon structured in thirteen squares, each of which collects a scene from the life of Jesus, from the Birth to the Resurrection, so that the cycle of the Passion, Easter, etc. They receive their respective feasts in the liturgical year. In the center the Resurrection and Ascension of Christ has been represented in mandorla. Stylistically, one can appreciate the extreme refinement achieved by Russian icons, which in the 19th century continued to respect certain orthodox precepts, but the figures gained in stylization and their features became softer. Vivid pigments attend to the symbolic use of color, and a sinuous line of synthetic stroke lengthens the canons. This typology responds to the calendar of festivities.
Icons cannot be compared with other works of art in the usual sense of this word. They are not paintings, because they do not reproduce motifs from reality; They do not represent, but constitute in themselves another world. And they do it with special means of representation, developed over the centuries. In them, color plays a significant role, that of a symbolic language that must express not the color of things, but their luminosity, a light that comes from beyond the physical world. The golden spaces of the icons embody this non-terrestrial light, and the golden background symbolizes the space that is “not of this world.” In icons there is no usual space, nor do conventional events exist. The icon is a window open to a world of another nature, but this window opens only to those who possess spiritual vision.