Pablo Neruda

PABLO NERUDA (Chile, 1904 - 1973).
-PAYSERO. R, TORRES. A and JIMÉNEZ. J., "Mito y verdad de Pablo Neruda". 1st Edition, 1958. Mexican Association for the freedom of culture, Mexico. Paperback edition.
-Los versos del Capitán", 3rd edition, 1963, Losada, Buenos Aires, Argentina. Prologue by Rosario de la Cerda. Paperback binding with flaps. The cover is detached.
- Tercer libro de las odas", 1st Edition, 1957. Losada Publishing House, Buenos Aires. Collection Poets of Spain and America. Paperback edition with flaps. Cover drawing by Silvio Baldessari.
Measurements: 19 x 12,5 cm; 18 x 11,5 cm; 23,5 x 17 cm.
The set of works related to Pablo Neruda (Chile, 1904-1973) gathers different moments of his poetic projection and his critical reception in the Hispano-American sphere, covering both his literary creation and the studies devoted to his figure. Among them, Mito y verdad de Pablo Neruda (1958), by Paysero, R. Torres A. and J. Jiménez J., published in Mexico by the Asociación Mexicana por la Libertad de la Cultura, stands out. It is part of an essayistic reading of the poet, focused on the construction of his public image and the debate between his literary dimension and his political commitment.
In the creative field, Los versos del Capitán (3rd edition, 1963), published by Losada in Buenos Aires with a prologue by Rosario de la Cerda, represents one of the most intense works of Nerudian love poetry. Originally written clandestinely, the book is characterized by a direct and passionate expression of the amorous feeling, where the poetic voice unfolds with emotional force and great sensory density. The paperback edition with flaps, although the cover is detached, preserves the value of one of the author's most widely distributed works.
Tercer libro de las odas (1957), also published by Losada in the collection "Poetas de España y América", continues the line of Odas elementales, in which Neruda transforms the everyday into poetic matter. In this volume, accompanied by a cover drawing by Silvio Baldessari, the poet celebrates objects, natural elements and common experiences, giving them a lyrical dimension that reinforces his desire to bring poetry closer to everyday life.
Taken together, these works reveal the breadth of the Nerudian universe, which oscillates between critical reflection on his figure, the exaltation of love and the poetry of everyday life, consolidating his central role in 20th century literature in Spanish.