Flemish school; first half of the 17th century.
"Saint Cecilia".
Oil on copper.
It has frame of the XVIII century.
Measurements: 25 x 19 cm; 39 x 34 cm (frame).
Open live auction
DESCRIPTION
Flemish school; first half of the XVII century.
"Saint Cecilia".
Oil on copper.
It has frame of the XVIII century.
Measurements: 25 x 19 cm; 39 x 34 cm (frame).
In this image of religious character, since its protagonist is Santa Cecilia, accompanied by several angels, the artist manages to move the viewer beyond the sacred content, providing an image of friendly character. In the center is the young woman in profile, playing the organ, which has been portrayed in a strict diagonal, following the naturalistic precepts of the Flemish school. A characteristic that is transferred to the treatment of the qualities that are exceptionally reflected in the three-dimensionality generated by the folds of St. Cecilia's clothes or, for example, in the curtain that closes the scene.
Saint Cecilia, the most popular of the Roman martyrs together with Saint Agnes. A young patrician of the Caecilian family, she was forced by her parents to marry, although in the bridal chamber she converted her husband to the ideal of Christian chastity. The young husband had himself and his brother baptized, and both were condemned to death. Because Cecilia refused to offer sacrifices to the gods, she was condemned to die by drowning in the steam of an overheated cauldron, but a heavenly dew refreshed her. She was then ordered to be beheaded, but her executioner struck her three blows without succeeding in separating her head from her body. Since Roman law forbade further beating of the condemned after these three attempts, Cecilia survived for three days. She died in the presence of Pope Urban and was buried in the cemetery of Callixtus. Saint Cecilia is, since the 15th century, the patron saint of musicians, singers and organists, as well as of organ and string instrument makers. Originally St. Cecilia, like most of the martyrs, did not wear any identifying attribute. It was at the end of the 15th century, when she became the patron saint of musicians, that she received a musical instrument as an attribute, a portable or fixed organ.
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