Júlia Gaubek. Pair of armchairs, Hungary, 1960s–1970s
Pair of armchairs, Hungary, 1960s–1970s.
Solid beech wood with fabric upholstery in shades of grayish green and olive.
Restored and reupholstered.
In good overall condition.
Measurements: approx. 79 x 67 x 69 cm. Seat height: approx. 40 cm.
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DESCRIPTION
JÚLIA GAUBEK (Budapest, 1928–2015).
Pair of armchairs, Hungary, 1960s–1970s.
Solid beech wood with fabric upholstery in shades of grayish green and olive.
Restored and reupholstered.
In good overall condition.
Measurements: approx. 79 x 67 x 69 cm. Seat height: approx. 40 cm.
Pair of armchairs designed by Júlia Gaubek, representative of modern Hungarian furniture from the 1960s and 1970s. The design combines a beechwood frame with light, clean lines and slender legs with a wide, enveloping backrest, whose curved silhouette extends toward the sides. The exposed-wood armrests provide an elegant, warm counterpoint to the upholstery, which has been refreshed in two shades of green.
The piece stands out for its balance between structural lightness, comfort, and a marked organic expressiveness. In contrast to the strict geometry of much of Central European functionalist furniture, Gaubek introduces here gently curved profiles and a carefully considered relationship between the visible wooden frame and the upholstered volume, giving the armchairs a particularly elegant presence.
Júlia Gaubek was a prominent Hungarian furniture designer and interior designer of the second half of the 20th century. Her work is part of the postwar renewal of Hungarian design, developing furniture and interiors in which functionality, formal experimentation, and attention to materials are combined with a remarkable sculptural sensibility. The significance of her body of work is underscored by the presence of her designs in the Museum of Applied Arts in Budapest, whose collection includes, among other pieces, an armchair designed by Gaubek and produced in Hungary in 1969, as well as various lighting projects from the 1950s. The Hungarian Association of Interior Architecture also recognizes her as a furniture designer and interior designer within the generation that emerged in the immediate postwar period.
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