Auguste Ledru
Large tray "Bacchante and satyr", ca. 1895.
Silver-plated pewter.
Signed on the upper right side.
Stamp Susse Freres, Paris, Edt.
Bibliography: Philippe DAHHAN, Étains 1900, 200 Sculpteurs de la Belle Époque, Les Éditions de l'Amateur, Paris, 2000. Similar pieces reproduced on pages 246 and 247.
Weight: 15.000 gr.
Measurements: 4 x 81 x 57 cm.
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DESCRIPTION
AUGUSTE LEDRU (Paris, 1860- Fontenay-aux-Roses, 1902).
Large tray "Bacchante and satyr", ca. 1895.
Silver-plated pewter.
Signed on the upper right side.
Stamp Susse Freres, Paris, Edt.
Bibliography: Philippe DAHHAN, Étains 1900, 200 Sculpteurs de la Belle Époque, Les Éditions de l'Amateur, Paris, 2000. Similar pieces reproduced on pages 246 and 247.
Weight: 15.000 gr.
Measurements: 4 x 81 x 57 cm.
The one now being auctioned is a large-format piece made in silver-plated pewter by the renowned publishers Susse Frères of Paris. The design stands out for its bacchanalian theme, integrating the human figure with natural elements in a masterful way. The contrast between the delicacy of the female figure and the expressive strength of the satyr, surrounded by lush vineyard vegetation, makes this tray a truly functional sculpture. An essential piece to understand the creative freedom of the Belle Époque.
The sculptor and ornamental designer Auguste Ledru developed his training under the tutelage of distinguished figures such as Dumont, Bonnassieu, Thomas and Boisseaux, in addition to working closely in his father's workshop. His career was marked by a constant and successful presence at the Salon de la Société des Artistes Français between 1883 and 1902. During this period, his technical excellence was recognized with an honorary mention (1892) and third and second class medals. Of particular note is his collaboration in 1896 with his brother-in-law, the legendary René Lalique, as well as his work with the most prestigious foundries and publishing houses of the time, such as Maison Susse, Thiébaut Frères and Émile Colin.
Susse Frères (Susse Fondeur), founded in 1758, is recognized as the oldest French art foundry still in operation. The company established itself as a foundry and art publishing house in the early 19th century. In 1840, they created their first bronze fabrication workshop (dedicated to assembly, chiseling and patina), securing their status as a full member of the Réunion des Fabricants de Bronze that same year.
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