Table with micromosaic attributed to Michelangelo Barberi
Viennese base in fire-gilded bronze.
Provenance: Austrian high nobility. According to the previous owner, the table belonged to the youngest daughter of Emperor Franz Joseph I and Elisabeth, Archduchess Maria Valeria of Austria, and her husband, Archduke Franz Salvator. It was kept at their hunting lodge in Gaming, Austria.
Measurements: 75 x 80 x 80 cm.
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DESCRIPTION
Table with a micromosaic top attributed to MICHELANGELO BARBERI (1787–1867). Italy, ca. 1850.
Viennese base in fire-gilded bronze.
Provenance: High Austrian nobility. According to the previous owner, the table belonged to the youngest daughter of Emperor Franz Joseph I and Elisabeth, Archduchess Maria Valeria of Austria, and her husband, Archduke Franz Salvator. It was kept at their hunting lodge in Gaming, Austria.
Measurements: 75 x 80 x 80 cm.
A mid-19th-century table featuring a refined Italian micromosaic tabletop attributed to Michelangelo Barberi, one of Rome’s great masters of this craft. Against a deep black background unfolds a delicate composition of flowers and birds, centered around a large central motif and accompanied by small bouquets scattered across the surface. The extraordinary precision of the design, the rich color palette, and the subtle tonal gradations highlight the technical virtuosity characteristic of Roman micromosaic, achieved through the combination of tiny colored glass tesserae.
The panel rests on a spectacular Viennese base of fire-gilded bronze, lavishly decorated with scrollwork, acanthus leaves, and Rococo-inspired elements. The hallmarks of the black surface—which possesses great visual depth—the brilliant colors of the flowers, and the intense gold of the mount lend the piece a distinctly sumptuous character, befitting furniture intended for 19th-century European aristocratic interiors.
Its attribution to Michelangelo Barberi (1787–1867) significantly enhances the piece’s appeal. Active in Rome and renowned for his sophisticated micromosaic works, Barberi achieved particular acclaim for his tabletops, in which he took this technique—traditionally associated with small objects and souvenirs from the Grand Tour—to a monumental and extraordinarily decorative scale. His works were particularly prized by the European aristocracy and royal courts.
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