Txuspo Poyo
"Desiring machines", 2007.
Print on photographic paper Hahnemüle.
It belongs to the project "Delay Glass". Technological restoration of the Great glass of Marcel Duchamp.
Signed, titled and dated on the back.
Measurements: 29 x 20 cm; 42,5 x 32 cm (frame).
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DESCRIPTION
TXUSPO POYO (Navarra, 1963).
"Desiring machines", 2007.
Print on photographic paper Hahnemüle.
It belongs to the project "Delay Glass". Technological restoration of the Great glass of Marcel Duchamp.
Signed, titled and dated on the back.
Measurements: 29 x 20 cm; 42.5 x 32 cm (frame).
This work is part of the Delay Glass project that encompasses research and three-dimensional animation that revisits and technologically reactivates Marcel Duchamp's Great Glass. The work proposes a conceptual and technological restoration of the unfinished Duchampian piece, accessing its internal structures from scientific, mechanical and digital contributions. The work reinterprets the machinist devices present in the original work through contemporary 3D modeling and animation tools, generating an expanded reading that combines formal analysis, technical speculation and virtual reconstruction.
The aesthetic is characterized by a black and white visual language, close to industrial and technical design. Diagrams, mechanical structures and digital visualization refer to both engineering and Duchamp's conceptual imaginary.
Txuspo Poyo holds a degree in Fine Arts from the University of the Basque Country. In 2001 he received a grant from the Marcelino Botín Foundation for a residency at the ISCP and studies at CADA (New York University). His awards include the Gure Arte Award of the Basque Country (2006), the Union Fenosa Award (2008) and the Multiverse grant from the BBVA Foundation (2015). He has held solo exhibitions at the BBVA Foundation (Madrid), the Artium Museum (Vitoria), the Centre d'Art La Panera (Lleida) and the Museum of Art and Design of Costa Rica, among others. He has also participated in group exhibitions at institutions such as the CAAC in Seville, the MARCO in Vigo, the Guggenheim Bilbao and the Reina Sofía Museum, consolidating a career linked to audiovisual research and critical analysis of contemporary cultural devices.
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