17th century Dutch school
"The carpenter's family".
Oil on oak panel. Two boards.
Signed on the lower right J. Duy (?).
In good condition.
Measurements: 44 x 55 cm; 59,5 x 72 cm (frame).
Open live auction

BID HISTORY
DESCRIPTION
Dutch school of the 17th century.
"The carpenter's family".
Oil on oak panel. Two boards.
Signed on the lower right J. Duy (?).
In good condition.
Measurements: 44 x 55 cm; 59,5 x 72 cm (frame).
This work represents a cozy domestic scene that condenses the values of family life, work and piety, in addition to the fact that as an interpretative transcript it reveals a representation of the Holy Family in a contemporary Dutch environment of the seventeenth century.
The painting introduces us to the rustic and somber interior of a house and workshop. The composition is skillfully divided into three planes that interact with each other: on the right, in a work area illuminated by a window or back door, we see the figure of the carpenter. He is depicted at work, with a raised hammer about to strike, symbolizing the virtue of work. His figure, almost backlit, denotes effort and dedication. The heart of the painting is the group formed by the mother and her son. The woman, seated, wears a striking red skirt and a dark bodice, with a blue cloth on her lap where she tenderly holds a child. Both are bathed in light coming through a large window. Through this window a young woman is shown holding a dove in her hand (symbol of the Holy Spirit in its sacred reading). Next to them, details such as a wicker cradle and a basket with white linen reinforce the atmosphere of intimacy.
The work is characteristic of Dutch Baroque. The artist uses strong hallmarks of light and shadow to model the figures, create depth and direct the viewer's attention. The attention to detail is meticulous, from the texture of the wood and bricks on the floor to the fur of the black cat sitting in the foreground, a common element in Dutch genre scenes.
Beyond being a simple genre scene, this painting is most likely a religious allegory set in everyday life. The depiction of a carpenter with his wife and a small child directly evokes the Holy Family (St. Joseph, the Virgin Mary and the Christ Child).
This "modernization" of a sacred theme was a common practice in Protestant Holland, seeking to bring religion closer to the daily life of the people.
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