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Follower of Frans Snayders; 19th century.

Auction Lot 46 (40037861)
Follower of FRANS SNAYDERS (Hulst, 1595-Antwerp, 1678); 19th century.
"The hunt of the wild boar".
Oil on canvas.
Presents frame with faults, following ancient models.
Measurements: 203 x 121; 217 x 135 cm (frame).

Open live auction
Estimated Value : 1,500 - 2,000 €
Live auction: 18 Jun 2026
Live auction: 18 Jun 2026 15:00
Remaining time: 16 days 17:27:38
Processing lot please standby
Next bid: 1000

BID HISTORY

DESCRIPTION

Follower of FRANS SNAYDERS (Hulst, 1595-Antwerp, 1678); 19th century.
"The hunt of the wild boar".
Oil on canvas.
Presents frame with faults, following ancient models.
Measurements: 203 x 121; 217 x 135 cm (frame).
This work is a nineteenth-century reinterpretation of one of the most famous hunting themes developed by the Flemish painter Frans Snyders, a leading figure of the Antwerp Baroque school and recognized specialist in hunting scenes, animals and monumental still lifes. Directly inspired by the composition entitled The Wild Boar Hunt, preserved in the collection of the Royal Academy of Fine Arts of San Fernando (inv. no. 0015), this painting reproduces the dynamism and theatricality characteristic of the models created by Snyders in the first decades of the 17th century.
The scene represents the culminating moment of a violent hunt, where numerous dogs confront the wild boar in a composition of great narrative tension. On the right side, the figure of a hunter playing a bugle stands out, a common device in Flemish Baroque painting that contributes to intensify the drama of the scene and to direct the viewer's gaze towards the core of the confrontation. The style of the work maintains the essential features of Flemish Baroque: variegated composition, exaltation of movement, vigorous anatomies and a marked naturalism in the representation of animals and human figures. Likewise, the chromatic richness and the strong hallmarks of light evoke the influence of the Antwerp pictorial tradition, closely related to the circle of Peter Paul Rubens, with whom Snyders collaborated on numerous occasions. The controlled violence of the scene and the interest in capturing the most intense moment of the action respond to the baroque taste for spectacularity and the exaltation of wild nature.

COMMENTS

It has a frame with faults, following old models.
This lot can be seen at the Setdart Madrid Gallery located at C/Velázquez, 7.

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