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Attributed to Francesco Trevisani

Auction Lot 119 (40040655)
Attributed to FRANCESCO TREVISANI (Capodistria, 1656 - Rome, 1746).
"Dolorosa".
Oil on canvas. Relined.
Measurements: 137 x 101 cm; 142 x 106 cm (frame).

Open live auction
Estimated Value : 6,000 - 7,000 €
Live auction: 18 Jun 2026
Live auction: 18 Jun 2026 15:00
Remaining time: 16 days 17:29:54
Processing lot please standby
Next bid: 5000

BID HISTORY

DESCRIPTION

Attributed to FRANCESCO TREVISANI (Capodistria, 1656 - Rome, 1746).
"Dolorosa".
Oil on canvas. Relined.
Measurements: 137 x 101 cm; 142 x 106 cm (frame).
The figure of the Virgin appears represented with a serene melancholy, far from the exacerbated dramatism of the full baroque. Her inclined face and the delicacy of her hands transmit a feeling of intimate and meditative pain, while the angel holding the crown of thorns introduces the symbol of the Passion with an almost theatrical sensibility. The composition, of great simplicity and balance, concentrates all the attention on the silent dialogue between the two figures, creating an atmosphere of devotional recollection. Likewise, the painting follows the iconographic model spread by the church of Santa Maria della Vallicella in Rome, one of the great centers of spirituality and visual culture of Baroque Rome, whose influence was decisive in the diffusion of devotional images of great emotional delicacy.
Formally, the work shows the strong influence of Carlo Maratta and late Roman classicism, visible in the idealization of the faces, the clarity of the drawing and the harmony of the proportions. However, Trevisani softens this academic rigor through a more vaporous brushstroke and a warm illumination that gives the scene a more emotional and close sensibility. The intense blues of the Marian mantle, treated with delicate gradations of light, contrast with the earthy tones of the background and reinforce the monumental presence of the Virgin.
The quality of the work lies especially in that combination of classical elegance and restrained feeling, a fundamental characteristic of Trevisani's language. In contrast to the dramatic pathos of the Neapolitan or Roman Baroque tradition, the artist develops a more intimate and refined model, deeply linked to the intellectual atmosphere of the Arcadian Rome of the early eighteenth century. In this sense, the painting already anticipates a fully eighteenth-century sensibility, where spirituality is expressed through idealized beauty and serene emotion.

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