Jan Miense Molenaer
“Interior Scene.”
Oil on panel.
Bears a computer-generated label indicating provenance on the reverse.
Signed in the lower right corner.
Provenance: Jules Porgès Collection, Paris.
Measurements: 23.8 x 18.7 cm; 36.8 x 31.3 cm (frame).
Open live auction
Processing lot please standbyBID HISTORY
DESCRIPTION
JAN MIENSE MOLENAER (Haarlem, c. 1610–1668).
“Interior Scene.”
Oil on panel.
Bears a computer-printed label with provenance information on the reverse.
Signed in the lower right corner.
Provenance: Jules Porgès Collection, Paris.
Measurements: 23.8 x 18.7 cm; 36.8 x 31.3 cm (frame).
In the warm twilight of a Dutch interior, a mother holds her son in her arms as she breastfeeds him. The artist has thus created a small narrative within a room. The figures draw close to one another, leaving almost no empty space, creating a sense of intimacy and physical closeness.
The painting belongs to a particularly prolific tradition of the Haarlem school, where, during the 17th century, artists found an inexhaustible source of subjects in everyday life.Jan II Molenaer belongs to a tradition in which artists such as Adriaen Brouwer, Adriaen van Ostade, and Jan Miense Molenaer had worked. Their scenes of peasants, families, musicians, and ordinary people transformed seemingly insignificant situations into small pictorial stories.In this context, Jan II’s work is particularly interesting. For a long time, his artistic identity was conflated with that of Jan Miense Molenaer. In Jan Miense’s small interior scenes, we find families gathered together, musicians, peasants, and figures engaged in seemingly simple activities. The Rijksmuseum, for example, houses *Saying Grace*, a small panel painting depicting a family gathered around a table. The resemblance lies not so much in the specific composition as in a shared approach to painting. Another work in the same museum, *Woman Playing the Virginal*, likewise demonstrates how Molenaer could transform a domestic interior into a carefully constructed scene through the use of figures, objects, and light, despite the small size of the panel.
Jan II Molenaer was active in Haarlem during the second half of the 17th century. His work falls within the tradition of Haarlem genre painting and reflects the influence of Brouwer and Van Ostade, as well as, naturally, his close connection to Jan Miense Molenaer.
COMMENTS
HELP
Bidding by Phone 932 463 241
Buy in Setdart
Sell in Setdart
Payments
Logistics
Remember that bids placed in the last few minutes may extend the end of the auction,
thus allowing enough time for other interested users to place their bids. Remember to refresh your browser in the last minutes of any auction to have all bidding information fully updated.
Also in the last 3 minutes, if you wish, you can place
consecutive bids to reach the reserve price.
Newsletter
Would you like to receive our newsletter?
Setdart sends, weekly and via e-mail, a newsletter with the most important news. If you have not yet requested to receive our newsletter, you can do so by filling in the following form.