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Dutch School; 18th century.

Auction Lot 116 (40048037)
Dutch School; 18th century.
“Portrait of a Girl at the Window.”
Oil on canvas.
The measurements are 62 x 94 cm for the painted surface and 71 x 103 cm for the frame.

Open live auction
Estimated Value : 1,500 - 1,800 €
Live auction: 21 Oct 2026
Live auction: 21 Oct 2026 16:00
Remaining time: 24 days 22:33:58
Processing lot please standby
Next bid: 900 €

BID HISTORY

DESCRIPTION

Dutch School; 18th century.
“Portrait of a Girl at the Window.”
Oil on canvas.
It shows signs of restoration on the painted surface and damage to the frame.
Measurements: 62 x 94 cm; 71 x 103 cm (frame).
A work from the 18th-century Dutch school depicting a young girl leaning out of a window. The painting is a copy or recreation of Rembrandt van Rijn’s famous “Girl in a Picture Frame” (Girl in a Picture Frame) by Rembrandt van Rijn, dated 1645 and currently housed at the Dulwich Picture Gallery in London. The original work is closely linked to Rembrandt’s extraordinary ability to break down the conventional boundaries between painting and reality. An old tradition holds that the artist placed the painting in a window of his home, causing passersby to believe they were seeing a real person leaning out from behind it. Although this anecdote is not documented, it effectively illustrates the illusionistic effect that characterizes the composition.
The painting’s current format also does not exactly correspond to Rembrandt’s original conception. It is believed that, after the artist’s death, the canvas was cropped and modified at the top, taking on a curved edge that visually reinforced the impression of looking through a real window. This transformation is particularly significant for understanding the composition’s subsequent reception and the interest it sparked among artists and collectors. This version, painted in the 18th century, attests to the enduring influence of this model within the Dutch painting tradition and the continued interest in Rembrandt’s compositions. The choice of subject also reveals the enduring admiration for the master from Leiden throughout the 18th century.

COMMENTS

It shows signs of restoration on the painted surface and damage to the frame.

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