Jean-François Portaels
"Portrait of a lady".
Oil on canvas.
With label on the back.
Measurements: 115 x 85 cm; 150 x 120 cm (frame).
Open live auction

BID HISTORY
DESCRIPTION
JEAN-FRANÇOIS PORTAELS (Belgium, 1818 -1895).
"Portrait of a lady".
Oil on canvas.
With label on the back.
Measurements: 115 x 85 cm; 150 x 120 cm (frame).
This work exemplifies the academic and refined style of the Belgian painter Jean-François Portaels. The painting presents a young woman seated on a chair upholstered in an intense red color, turned slightly towards the spectator, to whom she directs a direct, serene and somewhat introspective gaze. Her hands are delicately crossed on her lap, a gesture of composure and decorum. The composition is classical and balanced, with the figure occupying the center of the canvas, which gives her all the prominence.
The young woman wears a dark attire consisting of a black velvet dress with wide sleeves. This dark color contrasts with the whiteness of her starched collar and cuffs, which illuminate the central part of the painting. A black bow adorns her neck. On her legs rests a shawl or skirt of striking blue with black floral motifs, adding a touch of color and texture to the composition.
Portaels demonstrates great technical mastery in the treatment of textures: the softness of the skin, the sheen of the gathered hair, the opacity of the black dress and the silky quality of the blue fabric. A side light illuminates the face, the hands and part of the furniture, while the rest of the scene melts into a subtle half-light.
On a table covered with a red cloth to match the chair, an open book and an inkwell are seen, elements that allude to the culture and education of the person portrayed. The background is neutral and dark, a common choice in formal portraiture to avoid distractions and focus all attention on the model.
Jean-François Portaels was a Belgian academicist and orientalist painter. He grew up in a wealthy home, his father was a wealthy brewery merchant. He entered the Royal Academy of Fine Arts in Brussels and went on to study in the studio of the Academy's director, François Navez. In 1841, he moved to Paris, where he completed his studies. He returned to Belgium and, in 1842, won the Rome Prize. He traveled to Morocco, Algeria, Egypt, Greece, Italy, Hungary and Spain, among other countries. He then settled in Brussels, where he opened a private teaching school that had an enormous influence on generations of painters. In 1849, he married the daughter of his teacher, François Navez. In 1878 he was appointed director of the Royal Academy of Fine Arts in Brussels.
He was a prolific artist with works that spanned different genres. He painted historical and biblical subjects, portraits of people of the gentry, oriental scenes and idealized female figures set in exotic environments. He had an outstanding performance as a painting teacher. Many of his students became important artists, such as: Edouard Agneessens, Théo van Rysselberghe, Emile Wauters, or Camille van Mulders.
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