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Eugenio Lucas

Auction Lot 114 (40025140)
EUGENIO LUCAS VILLAAMIL (Madrid, 1858-1919).
"Characters in the garden".
Oil on panel.
Signed.
Measurements: 24 x 18 cm; 40 x 33 cm (frame).

Open live auction
Estimated Value : 1,800 - 2,200 €
Live auction: 18 Mar 2026
Live auction: 18 Mar 2026 15:00
Remaining time: 21 days 16:07:50
Processing lot please standby
Next bid: 1200

BID HISTORY

DESCRIPTION

EUGENIO LUCAS VILLAAMIL (Madrid, 1858-1919).
"Characters in the garden".
Oil on panel.
Signed.
Measurements: 24 x 18 cm; 40 x 33 cm (frame).
Eugenio Lucas Villaamil was a Spanish painter, Knight of the Order of Carlos III. Son of the painter Eugenio Lucas Velázquez and Francisca Villaamil, he began his artistic formation in his father's workshop and continued his studies in the Special School of Painting of Madrid. He participated in the National Exhibitions of Fine Arts with Italian works. His paintings maintain the influence of the characteristics of those of his father, with the repetition of Goyaesque themes, resolved with great compositional skill and joy of color. He also copied several themes of the Aragonese, as can be seen in his works Entrada a los toros, Sol of 1885 or Salida de los toros, lluvia of 1885, works set in that traditional Madrid, starring majas and chisperos, of great picturesqueness and popular flavor. In this thematic line, his work En el palco (In the Box) stands out, in which he brings together different resources tested by his father in some of his canvases. In addition to the bullfighting themes, numerous paintings of "Casacones" such as Baile en palacio of 1894 or El mago en palacio of 1894, in which he represents ornate palace environments in rococo style. He was a skilled copyist of some of Goya's paintings, those kept in the Prado, and was protected by the well-known collector José Lázaro Galdiano. He had a truly versatile style and was indisputably creative. He also executed portraits, such as the children's group of the García de Palencia brothers. In addition to applying all his skill in the handling of light with its reflections and hallmarks, he demonstrated his mastery in the treatment of masses of people in movement.

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