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Charles Spencelayh

Auction Lot 40019470
CHARLES SPENCELAYH (Rochester, 1865 - Beckenham, 1958).
"Children at Play."
Miniature on bone.
Measurements: 6 x 5.5 cm, 18 x 18 cm (frame).

Open live auction
Estimated Value : 700 - 800 €
Live auction: 16 Jun 2026
Live auction: 16 Jun 2026 15:00
Remaining time: 26 days 11:18:06
Processing lot please standby
Next bid: 400

BID HISTORY

DESCRIPTION

CHARLES SPENCELAYH (Rochester, 1865 - Beckenham, 1958).
"Children at Play."
Miniature on bone.
Measurements: 6 x 5.5 cm, 18 x 18 cm (frame).

The work represents an endearing rural scene starring two children in an English village street. One of them advances carrying the other one on the shoulders while this one raises the cap in a happy and spontaneous gesture. In the background there are rural buildings and a female figure working, elements that place the scene within an everyday and popular environment.

The painting is related to the British costumbrista tradition of the late nineteenth and early twentieth centuries, very interested in representing simple scenes of rural life and children with a sentimental and narrative approach. During this period, many British artists developed a painting intended for bourgeois collecting, focused on humble characters, domestic scenes and idealized rural environments that conveyed a nostalgic vision of English folk life in the face of social changes resulting from industrialization.

Charles Spencelayh was born in Rochester in 1865 and was one of the most renowned British painters of genre painting and anecdotal scenes. He studied at the National Art Training School in South Kensington and developed a career closely linked to the representation of popular characters, the elderly, children and scenes of everyday English life. His style is characterized by technical meticulousness, expressive detail and a marked narrative and sentimental sense.

Throughout his career he exhibited in institutions such as the Royal Academy of Arts and achieved great popularity among British collectors thanks to his compositions of a gentle and human character. Many of his works reflect the Edwardian taste for intimate and genre scenes, treated with great luminous sensitivity and psychological attention.

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