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Alexandre-François Bonnardel

Auction Lot 40044179
ALEXANDRE-FRANÇOIS BONNARDEL (Pajay, Isère, 1867 – Lyon, 1942).
“Young Man in an Interior.”
Oil on cardboard.
Signed in the lower right corner.
Measurements: 35 x 26.5 cm; 44 x 36 cm (frame).

Open live auction
Estimated Value : 5,000 - 5,500 €
Live auction: 26 Oct 2026
Live auction: 26 Oct 2026 15:00
Remaining time: 26 days 18:34:53
Processing lot please standby
Next bid: 3000 €

BID HISTORY

DESCRIPTION

ALEXANDRE-FRANÇOIS BONNARDEL (Pajay, Isère, 1867 – Lyon, 1942).
“Young Man in an Interior.”
Oil on cardboard.
Signed in the lower right corner.
Measurements: 35 x 26.5 cm; 44 x 36 cm (frame).

Bonnardel constructs the composition using loose, energetic, and spontaneous brushstrokes, particularly evident in the folds of the dress and the numerous fabrics that make up the interior. Rather than a meticulous depiction, the artist prioritizes light and color effects, making the delicate salmon-pink of the dress the main focal point, with the greens, ochres, and deep reds dominating the surroundings as hallmarks. The richness of the fabrics, objects, and surfaces helps create an intimate and enveloping atmosphere, while the freedom of execution lends the scene a remarkable freshness and immediacy. The work thus demonstrates Alexandre-François Bonnardel’s interest in the female figure and interior scenes, approached with a modern sensibility and a particular emphasis on color and painterly texture.

Alexandre-François Bonnardel was a French painter associated with the Lyon art scene, active from the late 19th century through the early decades of the 20th century. He devoted himself particularly to figure painting, portraiture, and interior scenes, showing an interest in the depiction of women and in intimate, everyday settings. His painting combines an academic foundation with a progressive technical freedom, evident in his loose and spontaneous brushwork, vibrant painterly texture, and special attention to the effects of light and color. In works such as *Young Woman in an Interior*, the figure is no longer conceived as a strictly formal portrait but is integrated into a space constructed through fabrics, objects, and chromatic hallmarks, bringing his artistic language closer to the innovative trends in early 20th-century French painting.

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