Upcoming Auctions
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September 1
19th and 20th century art
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September 2
Contemporary Art
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September 2
Contemporary Art: Graphic work and photography
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September 3
Luxury day: Watches
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September 3
Luxury day: Watches
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September 3
Luxury day: Fountain pens, ballpoint pens and lighters
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September 4
Luxury day: Jewelry
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September 4
Luxury day: Jewelry
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September 8
Luxury day: Handbags & Accessories
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September 8
Luxury day: Handbags & Accessories
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September 9
Classics of the 19th and 20th centuries: Between academicism and modernity
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September 9
Classics of the 19th and 20th Centuries: From Impressionism to the Early Avant-Garde
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September 10
Old Masters
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September 10
Old Masters
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September 15
Design
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September 15
Design
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September 16
Contemporary Art: Modern Icons
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September 16
Contemporary Art: Graphic art, photography, and animated films
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September 17
Decorative Arts
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September 17
Decorative Arts
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September 17
Oriental Art and Archaeology
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September 22
Tabacology: Private Pipe Collection
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September 23
Haute Époque: Painting and Sculpture
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September 23
Russian Icons
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September 25
Miscellaneous
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September 30
Axa Insurance Collection
Setdart selection
Setdart Magazine
Francisco Iturrino and the imprint of Fauvism on his work
At the beginning of the 20th century, when European art was struggling between the legacy of Impressionism and the urgency for new forms of expression, a group of French artists emerged, ready to break with all conventions. They were called fauves – “wild beasts”- for their wild use of color and their contempt for academic canons. Although the movement was short-lived, its echo resonated beyond France, transforming the European art scene. In this context, a name that deserves to be rediscovered stands out: Francisco Iturrino, an artist who introduced in Spain a radical colorist vision in tune with French Fauvism.
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