Upcoming Auctions
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July 20
Luxury day: Jewelry
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July 22
Design
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July 23
19th and 20th century classics
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July 28
Luxury day: Bags and Accessories
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July 29
Decorative Arts
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July 29
Perfumes Regia Collection
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July 30
Soccer Memorabilia & Pokémon Cards
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September 2
19th and 20th century classics
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September 3
Luxury day: Watches
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September 3
Luxury day: Fountain pens, ballpoint pens and lighters
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September 7
Contemporary Art
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September 7
Contemporary Art: Graphic work and photography
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September 8
Old Masters
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September 23
Amleto Dalla Costa: Italian Pop Art
Setdart selection
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Ring with an emerald weighing approximately 10.20 ct. and diamondsLot 40046634 -
Esteva, Figueras and Ses. de Hoyos, c. 1900.Lot 35239695 -
Girard-Perregaux ww.tc "Lady Shopping"Lot 40034694 -
In the style of Léon Jallot and Maurice JallotLot 40025309 -
Louis Vuitton Capucines BBLot 35118411 -
Patek Philippe Twenty 4Lot 40040300 -
Italian Neo-Renaissance ornament, ca. 1925Lot 40044896 -
Art Deco bracelet, c. 1920, with diamonds and sapphiresLot 40044900
Setdart Magazine
The pictorial support in the Old Masters: much more than a surface
In today’s art market, we often evaluate a work based on the significance of its authorship, the complexity of its iconography, or its state of preservation. However, there is a silent yet fundamental element that completely determines the final outcome of a piece: the pictorial support. Far from being a mere functional surface on which to apply oil paint, each pictorial support offers a unique range of expressive possibilities. Throughout history, the great masters understood the physical nature of each material and harnessed it in the service of their creative genius, making the pictorial support an inseparable part of the
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