Upcoming Auctions
-
June 29
Antique books
-
June 30
Decorative Arts
-
June 30
Archaeology & Tribal Art
-
June 30
Oriental Art
-
July 6
Luxury day: Watches
-
July 6
Luxury day: Fountain pens, ballpoint pens and lighters
-
July 7
19th and 20th century classics
-
July 9
Contemporary Art: Graphic Work and Photography
-
July 9
Contemporary Art
-
July 14
Contemporary Art and latest trends
-
July 15
Old Masters
-
July 16
Archaeology
-
July 20
Luxury day: Jewelry
-
July 21
19th and 20th century classics
-
July 22
Design
-
July 27
Luxury day: Bags and Accessories
-
July 29
Perfumes Regia Collection
Setdart selection
-
Miquel BarcelóLot 40047415 -
Audemars Piguet Royal Oak LadyLot 40035229 -
Necklace in gold, emeralds 72.77 ct and diamonds 5.70 ct,Lot 40035484 -
Amleto Dalla CostaLot 40044601 -
French school of the 14th-15th centuryLot 35300214 -
Lorenzo QuinnLot 40027463 -
Bracelet with sapphires and diamondsLot 40012146 -
Crieri bracelet with diamonds totaling approximately 10.30 ct.Lot 40046644
Setdart Magazine
Manolo Valdés: Five Keys to Understanding His Status as a Leading Figure in Contemporary Art Through “Conde-Duque de Olivares”
Manolo Valdés’s career is part of one of the most consistent efforts to reexamine the tradition of painting within European contemporary art. Following the dissolution of Equipo Crónica, his solo work has focused on an increasingly refined exploration of the image, understood not as a descriptive representation but as a structure of visual thought. In this context, the motif of the Count-Duke of Olivares—drawn from the imagery of Diego Velázquez—takes on a unique significance within Valdés’s body of work. Works such as *The Count-Duke of Olivares* allow us to understand the consolidation of a visual language in which the history
Setdart TV
Explore Setdart
Newsletter
Would you like to receive our newsletter?
Setdart sends, weekly and via e-mail, a newsletter with the most important news. If you have not yet requested to receive our newsletter, you can do so by filling in the following form.




