Upcoming Auctions
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October 13
Design
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October 14
Luxury day: Jewellery
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October 14
Luxury day: Handbags & Accessories
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October 21
Old Masters I
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October 21
Old Masters II
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October 22
Decorative Arts
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October 22
Oriental and Tribal Art
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October 26
19th and 20th century classics
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October 27
Contemporary Art and latest trends
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October 27
Contemporary Art: The Prints of Antoni Tàpies
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October 28
Private collection: 19th and 20th century paintings
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October 29
Unique Items for Collectors
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November 5
19th and 20th century classics
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November 9
Private Collection of Martí Alsina and Martí Aguiló I
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November 9
Private Collection of Martí Alsina and Martí Aguiló II
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November 9
Private Collection of Martí Alsina and Martí Aguiló III
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November 9
Private Collection of Martí Alsina and Martí Aguiló IV
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November 19
Private Collection: 19th- and 20th-Century European Sculpture
Setdart selection
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Heroes from *The Song of the Nibelungs*. Probably Germany, late 19th centuryLot 40050963 -
"A Buddhist Disciple in Prayer." Thailand, Rattanakosin period, reign of Rama III, 1824–1851.Lot 40046041 -
Japanese school, early Meiji period, ca. 1872.Lot 40044187 -
Pair of candlesticks with chinoiserie motifs, Familia Rosa style, ca. 1900Lot 40050965 -
Carousels attributed to Friedrich BergenfeldtLot 40050970 -
Michael GoldbergLot 40039364 -
Eugenio Lucas VelázquezLot 40047883 -
Julio Borrell PlaLot 40048762
Setdart Magazine
Tàpies and Clavé: two paths to abstraction
Although they belonged to different generations, Antoni Clavé and Antoni Tàpies developed their careers within the context of postwar artistic renewal in Spain. At different times, both contributed to the expansion of painting into new languages, during a period when numerous artists began to question inherited models of representation and seek new forms of expression. In their respective works, this process resulted in a gradual departure from traditional representation and a growing focus on the possibilities of material, surface, gesture, and color. Their paths toward abstraction, however, were fundamentally different. In Clavé’s work, the image arises from the fragmentation, superimposition,
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