Upcoming Auctions
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April 21
19th and 20th century classics
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April 22
Private Collection: Masters of European sculpture
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April 23
Old Masters
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April 23
Old Masters: Drawings
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April 23
Old Masters: Books and Prints
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April 27
The Mother’s Day Edit: Bags & Accessories
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April 28
Design
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April 29
Decorative Arts
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April 29
Oriental Art
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April 30
Archaeology & Palaeontology
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May 5
Modern Art
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May 5
Modern Art: Photography and Prints
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May 6
19th and 20th century classics
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May 7
Luxury day: Watches
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May 7
Luxury day: Fountain pens, ballpoint pens and lighters
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May 14
Luxury day: Jewelry
Setdart selection
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Giuseppe GambogiLot 40026306 -
Set of five Neolithic flint axes. Denmark, ca. 2500 BC.Lot 40038901 -
After Johann Heinrich Von DanneckerLot 40029371 -
Antoine-Louis BaryeLot 35249073 -
Sculpture of the god Mars. Roman, I-II century.Lot 40038716 -
Eugène-Antoine AizelinLot 40026304 -
LATIN BIBLE; Incunabula, Venice, 1483.Lot 40014925 -
Italian classicist school of the end of the 17th centuryLot 40026313
Setdart Magazine
Dalí’s “Christ of St. John of the Cross”: mysticism, science and the conquest of the absolute
What do we really see when we look at Salvador Dalí’s iconic Christ of St. John of the Cross – a traditional religious image or a deeper reflection on infinity and the nature of the absolute? What Dalí proposes is not a conventional representation of the Crucifixion, but a radical reinterpretation of one of the most universal symbols of Christianity. Inspired by the mystical drawing attributed to St. John of the Cross, the artist transforms the scene into a suspended vision, silent and alien to the usual iconographic tradition. Here, the Christ of St. John of the Cross does not
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