Setdart
  • Pietro Tacca

    Auction December 9th

  • The excellence of a private winery. Private Collection

    Auction November 16th

  • Carlo Bugatti

    Auction November 17th

  • Château Haut-Brion 2002

    Auction on November 16

  • Luxury Day: Handbags & Accessories

    Auction November 20th

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Setdart Magazine

Great wines, legendary vintages: the excellence of a private collection
November 6

Great wines, legendary vintages: the excellence of a private collection

Pétrus, Domaine de la Romanée-Conti, Château Margaux, Mouton Rothschild, Vega Sicilia, Pingus, Contador, and L’Ermita are the highlights of the Setdart auction on November 16. A private collection assembled over thirty years: 367 lots, approximately 1,200 bottles, 100-point vintages, large-format bottles, and original cases. There are collections whose value lies in the exceptional nature of certain bottles. Others stand out for the depth of their vintages, the consistency of their producers, or the history behind their formation. The private wine collection that Setdart is auctioning on November 16 embodies these qualities and adds a feature particularly prized by connoisseurs: a
Martí Alsina and his legacy: a family story of art and collecting
October 30
Martí Alsina and his legacy: a family story of art and collecting

Ramon Martí Alsina, a pivotal innovator in 19th-century Catalan painting, opens the door to a legacy that transcends his own body of work. Paintings, drawings, sculptures, archaeological finds, and objects from different eras and cultural backgrounds come together to form a collection whose uniqueness lies both in its family connections and in the breadth of the artistic horizons it encompasses. The history of a collection does not always follow a single criterion, nor can it be explained through a single discipline. At times, its appeal lies precisely in the coexistence of works of diverse nature, in the possibility of establishing
Pere Pruna and the world of the circus: between Picasso, Classicism, and the stage
October 23
Pere Pruna and the world of the circus: between Picasso, Classicism, and the stage

In Pere Pruna’s paintings, the circus does not appear merely as a subject. It is, above all, a space of performance in which the human figure can break free from everyday reality to take on a more stylized, silent, and poetic dimension. Harlequins, Amazons, acrobats, and masked characters are part of a visual universe where classical tradition, the experiences of the Parisian avant-garde, and a deeply theatrical conception of the image converge. This aspect finds particularly significant expression in Circus Scene, a 1934 oil on canvas that brings together several of the characteristic elements of Pruna’s artistic language. The composition
Old Masters: A journey through 16th- and 17th-Century European painting
October 15
Old Masters: A journey through 16th- and 17th-Century European painting

Between the 16th and 17th centuries, European painting broadened its scope and redefined its expressive possibilities. Court portraiture perfected the depiction of rank and authority; naturalism introduced a new immediacy to the human figure; and in the former Low Countries, still life and architectural painting established themselves as genres in their own right. These transformations were complemented by other forms of pictorial innovation, in which the fantastic, the grotesque, and the everyday coexisted with religious subjects. Behind this diversity lay distinct political, social, and economic realities, which shaped both the preferences of patrons and the production and circulation of the
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