Previous Next
40049936-(100).jpg
40049936-(07).jpg
40049936-(06).jpg
40049936-(05).jpg
40049936-(04).jpg
40049936-(03).jpg
40049936-(02).jpg

Fragment of a Corinthian capital. Rome, 3rd century A.D.

Auction Lot 130 (40049936)
Fragment of a Corinthian capital. Rome, 3rd century A.D.
Carved marble.
Measurements: 32 x 30 x 39 cm.
Provenance: Property from the Ramon Martí Alsina and Ricard Martí Aguiló Family Collection.

Open live auction
Last Bid : 600 €
ITEM SOLD
Auction complete
BID HISTORY

DESCRIPTION

Fragment of a Corinthian capital. Rome, 3rd century A.D.
Carved marble.
Measurements: 32 x 30 x 39 cm.

Provenance: Estate of Ramon Martí Alsina and Ricard Martí Aguiló.
Artistic and heritage collection originating in the legacy of Catalan painters Ramon Martí Alsina (1826–1894), a seminal figure of 19th-century Catalan Realism, and his son Ricard Martí Aguiló (1857–1935).

Passed down and enriched across successive generations, the collection brings together works from the original holdings of both artists alongside acquisitions made by their descendants. Dedicated to preserving and recovering the family legacy, the descendants actively reacquired works by the painters as they entered the market, progressively expanding the collection to encompass paintings, sculptures, archaeological artifacts, and other items of artistic and historical significance.
Fragment of a Corinthian capital featuring two overlapping rows of carved acanthus leaves flanking a central element. The Corinthian capital belongs to the classical architectural order of the same name, and its creation is attributed in texts to the Greek sculptor Callimachus in the 4th century B.C. In this example, one can see the slight entasis characteristic of Ancient Greece, and one might suspect the presence of those caulicles (volutes or spirals created at the corners and in the center). However, the level of detail in this capital is not the same as in the earlier examples on which it is based. The Roman Empire adopted this order and used it very frequently.
The slight stylization evident in the acanthus leaves reflects changes in Roman art that began as early as the 2nd century CE and were aimed at greater stylization due to the search for an art that was “eternal” and oriented toward the afterlife, as advocated by religions such as Christianity. Compare, for example, the colossal sculpture of Emperor Constantine I the Great (280–337 AD), originally located in the Basilica of Maxentius in the Roman Forum. It is these types of examples, already in an advanced stage of development, that would eventually give rise, after a specific evolutionary process, to the well-known Muslim capitals, which can be seen firsthand in the ruins of North Africa.

HELP


Bidding by Phone 932 463 241

Buy in Setdart

Sell in Setdart

Payments

Logistics

Remember that bids placed in the last few minutes may extend the end of the auction,
thus allowing enough time for other interested users to place their bids. Remember to refresh your browser in the last minutes of any auction to have all bidding information fully updated.

Also in the last 3 minutes, if you wish, you can place
consecutive bids to reach the reserve price.

Newsletter

Would you like to receive our newsletter?

Setdart sends, weekly and via e-mail, a newsletter with the most important news. If you have not yet requested to receive our newsletter, you can do so by filling in the following form.


SETDART ONLINE SL, as data controller, will treat your data in order to send you our newsletter with commercial news about our services. You can access, rectify and delete your data, as well as exercise other rights by consulting the additional and detailed information on data protection in our privacy policy.