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Anthropomorphic idol. Mezcala, State of Guerrero, Mexico, c. 350–100 BCE.

Auction Lot 40041654
Anthropomorphic idol. Mezcala, State of Guerrero, Mexico, c. 350–100 BCE.
Stone.
Condition: good condition, intact.
Provenance: private collection, Ignacio de Lassaletta, Barcelona; private collection, M. G., Barcelona.
Exhibition: “Ceràmiques dels déus,” Fundació Caixa Girona, November 23, 2006 – January 14, 2007.
Measurements: 10.5 cm high.

Open live auction
Estimated Value : 2,800 - 3,200 €
Live auction: 16 Jul 2026
Live auction: 16 Jul 2026 15:00
Remaining time: 27 days 15:27:10
Processing lot please standby
Next bid: 1600

BID HISTORY

DESCRIPTION

Anthropomorphic idol. Mezcala, State of Guerrero, Mexico, c. 350–100 BCE.
Stone.
Condition: good, intact.
Provenance: private collection, Ignacio de Lassaletta, Barcelona; private collection, M. G., Barcelona.
Exhibition: “Ceràmiques dels déus,” Fundació Caixa Girona, November 23, 2006 – January 14, 2007.
Published in the exhibition catalog “Ceràmiques dels déus,” Fundació Caixa Girona, 2007, p. 53.
Measurements: 10.5 cm high.

Anthropomorphic Mezcala idol carved in stone, belonging to one of the most unique sculptural traditions of ancient Mexico. The piece displays an extraordinary formal synthesis: a triangular or almond-shaped head, a compact body, suggested arms, and legs separated by a central incision, reducing the human figure to its essential elements.

The Mezcala culture, which developed in the present-day state of Guerrero, was notable for its highly abstract stonework, in which the human figure is transformed into an almost architectural presence. In contrast to other pre-Columbian traditions characterized by greater naturalism, Mezcala idols are distinguished by their geometric refinement, frontal orientation, and the symbolic concentration of form.

In this example, the absence of detailed facial features reinforces its universal and ritual character. The figure does not seek to represent a specific individual, but rather to embody an ancestral or protective presence. The polishing of the stone, the simplicity of the form, and the verticality of the composition lend the work a silent intensity, akin to modern abstraction.

This type of piece has been associated with funerary, ritual, or prestige contexts, where they may have functioned as protective images, emblems of lineage, or representations of ancestors. Its excellent state of preservation, intact, combined with its documented provenance and its publication in the catalog “Ceràmiques dels déus,” significantly reinforces its appeal within the field of pre-Columbian art collecting.

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