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Anthropomorphic idol. Mezcala, State of Guerrero, Mexico, c. 300–100 B.C.

Auction Lot 40041653
Anthropomorphic idol. Mezcala, State of Guerrero, Mexico, c. 300–100 BCE.
Stone.
Condition: intact.
Provenance: private collection, Romy Rey, London, 1970; acquired by inheritance from the previous owner; art market, United Kingdom.
Measurements: 14.5 cm high.

Open live auction
Estimated Value : 1,600 - 1,900 €
Live auction: 16 Jul 2026
Live auction: 16 Jul 2026 15:00
Remaining time: 27 days 15:27:48
Processing lot please standby
Next bid: 800

BID HISTORY

DESCRIPTION

Anthropomorphic idol. Mezcala, State of Guerrero, Mexico, c. 300–100 BCE.
Stone.
Condition: intact.
Provenance: private collection, Romy Rey, London, 1970; acquired by inheritance from the previous owner; art market, United Kingdom.
Measurements: 14.5 cm high.

Anthropomorphic Mezcala idol carved in stone, with a marked frontal orientation and highly refined form. The figure has a compact, elongated body, with a barely distinguishable head, suggested shoulders, a schematic torso, and legs separated by a central incision. The absence of detailed facial features reinforces its essential and ritualistic nature, distancing it from individual representation and transforming it into a symbolic presence.

The Mezcala culture, which flourished in what is now the state of Guerrero, produced one of the most unique sculptural traditions of ancient Mexico. Its stone idols are characterized by the geometric reduction of the human body, the polished surface, and an almost architectural conception of the figure. This extreme abstraction has been particularly valued for its striking formal modernity, capable of transforming the human image into a sign of great visual power.

In this example, the greenish-toned stone with a speckled texture lends a remarkable mineral richness. The volume, sober and compact, concentrates its expressive power in the silhouette and in the relationship between the head, torso, and limbs. The piece conveys a silent intensity, characteristic of objects associated with ritual, funerary, or prestigious contexts, where they may have functioned as protective images, ancestral representations, or emblems of identity.

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