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Baboon, representing the god Thoth. Ancient Egypt, Late Period, 664–323 B.C.

Auction Lot 46 (40041801)
Baboon, representing the god Thoth. Ancient Egypt, Late Period, 664–323 B.C.
Faience.
Provenance: private collection, France, acquired from Pierre-Éric Becker on August 5, 1998; private collection of C. R., Cannes, France.
A copy of the original purchase receipt is attached.
Measurements: 8.4 cm high; 12 cm high with base.

Open live auction
Estimated Value : 7,600 - 8,000 €
Live auction: 22 Sep 2026
Live auction: 22 Sep 2026 15:00
Remaining time: 45 days 07:19:32
Processing lot please standby
Next bid: 4600

BID HISTORY

DESCRIPTION

Baboon, representing the god Thoth. Ancient Egypt, Late Period, 664–323 B.C.
Faience.
Provenance: private collection, France, acquired from Pierre-Éric Becker on August 5, 1998; private collection of C. R., Cannes, France.
A copy of the original purchase invoice is attached.
In good condition.
Measurements: 8.4 cm high; 12 cm high with base.

The figure depicts a seated baboon, one of the animal forms assumed by Thoth, the god of writing, knowledge, calculation, and the regulation of time. This iconographic association is widely documented in ancient Egypt and became particularly widespread during the Late Period, when small images of the god were placed as votive offerings in his sanctuaries.

The animal is depicted in a frontal view, with its legs bent and its hands resting on its knees. The prominent snout, the voluminous, striated mane, and the striking eyes convey the piece’s expression, while the compact body reflects the closed and stable composition typical of Egyptian cult images. The surface retains an intense blue-green hue, enriched by areas of weathering and earthy deposits.

The color of the faience symbolically evoked regeneration and the renewal of life. In this case, its luminosity further reinforces the divine nature of the baboon, understood as a manifestation of Thoth and as the guarantor of intellectual and ritual order. These figures may have served as offerings in the god’s sanctuaries and, in funerary contexts, evoked his role as the scribe of Osiris’s judgment.

The pronounced frontal orientation, the relatively large size for this type of figure, and the preservation of extensive areas of the glaze clearly identify this as an image created not merely as an animal representation, but as the material presence of one of the fundamental deities of Egyptian thought.

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