Vase for washing brushes. Bechire. Kangxi period, 18th century.
Porcelain.
With mark on the base (characters identifying the Kangxi reign).
Measurements: 9 x 12.5 x 12.5 cm.
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BID HISTORY
DESCRIPTION
Flambé vase for washing brushes. Bechire. Qing Dynasty, Kangxi period, 18th century.
Porcelain.
With mark on the base (characters identifying the Kangxi reign).
Measurements: 9 x 12.5 x 12.5 cm.
Vase flambéed in shades of pigeon's blood. Used to wash brushes, it belongs to the time of the Kangxi emperor. Kangxi was one of the most important monarchs in the history of China, and in fact his reign of 61 years, parallel to that of Louis XIV in France, is the longest in the history of the country, and established the power of the new Qing dynasty. It was a period of cultural splendour, thanks in large part to the emperor's own intense artistic patronage. As the Qing was a dynasty of foreign (Manchu) origin, Kangxi strove to assert his legitimacy as China's absolute monarch by striking a balance between respect for Manchu traditions and Chinese forms of government, and by assuming the role of an enlightened ruler on the Confucian model. The emperor himself practised calligraphy and painting, the two most highly regarded arts in China, and maintained Zhu Xi's Neo-Confucian canon as the standard of culture on which the imperial examinations were based. In this way, the Kangxi Emperor promoted the idea of the new dynasty as the legitimate successor of the previous Ming dynasty, extolling the achievements of the former Ming dynasty. The emperor did much to support literature, and also promoted the fine arts. In 1661, the imperial workshops were founded in Beijing, where courtly sumptuary objects, ranging from porcelain to paintings and ritual objects, were produced. Silk production workshops were also established at this time in the southern cities of Suzhou, Hangzhou and Jiangning.
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