Screen; Japan, 1950.

Screen; Japan, 1950.
Silk, gilt and painted paper.
Presents restorations on the back.
Measurements: 64 x 184 cm.
Screen made of silk and painted gold paper with a two-leaf structure. The ornamentation is arranged in a continuous way on the surface of the screen. It is based on a floral arrangement of bright colors.
Japanese screens, or byobu, have occupied a central place in Japanese material culture and aesthetics since the Middle Ages, but their role during the 19th and 20th centuries is particularly revealing of the processes of modernization and social transformation that Japan underwent during this period. Originally conceived as movable space dividers, intended to regulate intimacy and modulate the sensory experience of traditional architecture, screens became true supports for artistic expression.
During the 19th century, at the height of the late Edo period, and later in the Meiji era (1868-1912), screens became the preferred canvas for depicting scenes of daily life, seasonal landscapes and literary motifs. With the opening of the country to international trade in the second half of the 19th century, the screens began to circulate in the global market, arousing the interest of European and North American collectors and museums.