Body mask. Papua New Guinea, Oceania, 1970

Body mask. Papua New Guinea, Oceania, 1970.
Base structure: Woven vegetable fiber, possibly rattan or wicker.
Pigmentation: Natural paints obtained from clay, charcoal and lime.
Decoration: Geometric herringbone patterns, symbol of energy and protection.
Ornaments: Hanging vegetal fibers on the base, probably palm or raffia, used to enhance the visual effect of movement.
Measurements: 200 x 130 cm; 70 cm (base).

This large body mask is an impressive example of Papua New Guinea ritual art. Its elongated conical structure, with outstretched arms and an anthropozoomorphic head, suggests its use in initiation rituals, community festivities or shamanic ceremonies. The surface is decorated with a geometric herringbone pattern composed of lines in shades of ochre, white and black, emphasizing its visual presence during rituals.

The stylized arms and small hands with open fingers suggest an animated figure, probably representing a spirit or tribal deity. At the bottom, hanging natural fibers can be seen, which would provide movement and dynamism during their use in ceremonial dances.

Body masks like this one are usually related to male initiation rituals, in which the young men of the tribe underwent symbolic tests to be accepted as adults. They could also have been used in shamanic or spirit invocation ceremonies, in which mythical figures were incarnated to protect the community or to favor successful harvests and hunts.

The herringbone pattern that covers the piece is not only decorative, but in many cultures represents protection, order and strength, essential attributes in any rite of passage. The fact that the mask covers the entire body indicates that the wearer assumed a ritual identity, transforming himself into the spirit he represents.