Pablo Palazuelo

PABLO PALAZUELO DE LA PEÑA (Madrid, 1916 - Galapagar, Madrid, 2007).
S/T, 1951.
Ink and pencil on paper.
Attached certificate issued by the Palazuelo Foundation, signed by José Rodriguez Spiteri.
Framed in museum glass.
Signed, dated and dedicated in the lower right area.
Measurements: 61x 60 cm 80 x 80 cm (frame).
Some light strokes configure this work that is defined by its lyricism and poetic abstract expression. Through an oscillation between the indeterminate and the figurative, Palazuelo awakens the viewer's imagination, inviting him to enter between the lines that make up the drawing, and to finalize with his personal experience the aesthetic concept presented in the work. As if it were a visual poem, the artist creates an independent visual landscape. A remarkable fact is that the work is dedicated to Rosa Casanovas, daughter of the sculptor Pere Casanovas, who was in charge of giving life to the projector of artists such as Antoni Tàpies, Pablo Palazuelo, Oteiza, Jaume Plensa or Javier Mariscal.
Painter, engraver and sculptor, Pablo Palazuelo was one of the key figures of Spanish art in the second half of the 20th century. He studied architecture in Madrid and Oxford, but in 1939 he decided to devote himself fully to painting. During these years he competed in various national competitions, such as the National Exhibition in Madrid in 1945. Two years later he began to make his first abstract drawings, and debuted in a collective of young artists at the Buchholz gallery in Madrid. In 1948 he moved to study in France, with a scholarship from the French Institute. There he exhibited that same year at the Denise Rene gallery in Paris, which was the definitive push for the dissemination of his work. Throughout his career, Palazuelo has won awards such as the Kandinsky and Carnegie, the Medal of Fine Arts, the National Plastic Arts and the Velázquez Prize, among others. In 1995 the Museo Nacional Centro de Arte Reina Sofía dedicated a retrospective exhibition to him, and between 2006 and 2007 the MACBA in Barcelona and the Guggenheim in Bilbao did the same. His style is characterized by a purely linear abstraction, which starts with the post-impressionist experiences of the turn of the century and reaches its ultimate consequences in the sixties with minimalism. Palazuelo conceives art as "a way out of human problems", and populates his works with references to the history of painting. His language is intimately linked to a rational process based on the discovery, not invention, of new forms. Palazuelo is currently represented in the Reina Sofía Museum in Madrid, the Guggenheim in New York and Bilbao, the MACBA in Barcelona, the Maeght Foundation in France, the Museums of Modern Art of the Village of Paris and Rio de Janeiro, the Carnegie Museum of Art in Pittsburgh and the Kunsthaus in Zurich, among many others.