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Henri-Alfred Jacquemart

Auction Lot 127 (40015546)
HENRI-ALFRED JACQUEMART (Paris, 1824-1896).
"Zebu and Python".
Bronze with green patina.
Measurements: 32,5 x 38,2 cm.

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Estimated Value : 5,000 - 6,000 €


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DESCRIPTION

HENRI-ALFRED JACQUEMART (Paris, 1824-1896).
"Zebu and Python".
Bronze with green patina.
Measurements: 32,5 x 38,2 cm.
Bronze sculpture that represents a dramatic scene of fight between a zebu and a python, work of the French sculptor Henri-Alfred Jacquemart. The composition stands out for its intense expressiveness, dynamism and detailed anatomical realism, characteristic of 19th century animalier art.
The zebu, a species of bovine recognizable by its prominent hump, is shown in a posture of desperate resistance. Its legs tense, its body arches violently, and its head, raised backwards, conveys a powerful gesture of anguish and effort. In contrast, the python coils tightly around the animal, displaying silent but lethal strength. Its muscular and scaly body adheres to the torso of the zebu, precisely marking the volumes and textures of both animals.
The base of the sculpture, also modeled in bronze, simulates a rocky terrain and helps to frame the scene with a sense of tension and naturalism. The patinated bronze reinforces the hallmarks of light and shadow, giving the work a sculptural liveliness that captures the climactic moment of the confrontation between prey and predator.

Henri-Alfred Jacquemart was a French sculptor who distinguished himself for his animal sculpture. He studied sculpture from 1845 at the École des Beaux-Arts in Paris. He regularly presented works at the Salon between 1847 and 1879. He traveled to Egypt and Turkey, countries that would become his source of inspiration. He was one of the sculptors who, along with others such as Pierre-Louis Rouillard, Pierre-Jules Mêne and, especially, Antoine-Louis Barye, took advantage of the new enthusiasm of the bourgeoisie for furniture sculptures, particularly those of animals, in the second half of the 19th century, and the spectacular development of this market, driven by the numerous art foundries that reached their peak in France at that time.

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