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Pair of lions. Europe, XV-XVI centuries.

Auction Lot 86 (40041585)
Pair of lions. Europe, XV-XVI centuries.
Patinated and gilded bronze.
In good state of preservation, with slight rubbing and occasional losses on the gilded surface.
The marmoreal bases have slight scratches and skipped in edges and corners.
Measurements: 10 x 5 x 14 cm each.

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Estimated Value : 6,000 - 6,500 €


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DESCRIPTION

Pair of lions. Europe, XV-XVI centuries.
Patinated and gilded bronze.
In good state of preservation, with slight rubbing and occasional losses on the gilded surface.
The marmoreal bases have slight scratches and skipped in edges and corners.
Measurements: 10 x 5 x 14 cm each.

Pair of bronze lions, datable to the Renaissance period, probably conceived as an ornamental element of a larger structure. Due to their format and arrangement, they could have been part of a piece of furniture, candelabra, brazier, fireplace or other sumptuary object, later decontextualized and preserved as an autonomous piece.

Both lions appear reclining, with their front paws forward, their heads raised and their mouths open, in an attitude of vigilance and majesty. The careful treatment of the mane stands out, worked with undulating locks of great decorative effect, as well as the definition of the claws, the facial features and the volumes of the body. The golden patina reinforces the precious character of the pair and allows us to appreciate the quality of the modeling.

The iconography of the lion, associated since the Middle Ages with power, nobility, custody and protection, was widely used in architectural sculpture, heraldry and the European decorative arts. In objects for domestic or ceremonial use, its presence gave the whole a symbolic and representative dimension, in keeping with the aristocratic and courtly environments in which these types of pieces were usually integrated.

From a stylistic point of view, the pair conserves traits of late Gothic roots, visible in the expressive intensity of the faces and the ornamental treatment of the manes, while at the same time announcing a Renaissance sensibility for volumetric solidity and naturalistic observation. The quality of the casting and the refinement of the details allow us to relate it to the European workshops specialized in decorative bronzes active during the transition between the late Middle Ages and the Renaissance.

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