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Pablo Picasso

Auction Lot 40024150
PABLO PICASSO (Málaga, 1881 – Mougins, France, 1973).
“Visage No. 192 (Alain Ramié 492).”
Fired clay, painted in color and glazed. Number 125/150.
Picasso and Madoura edition.
Measurements: 25.5 x 2 cm.

Open live auction
Estimated Value : 6,000 - 7,000 €
Live auction: 23 Sep 2026
Live auction: 23 Sep 2026 15:00
Remaining time: 61 days 13:51:34
Processing lot please standby
Next bid: 3000

BID HISTORY

DESCRIPTION

PABLO PICASSO (Málaga, 1881 – Mougins, France, 1973).
“Visage No. 192 (Alain Ramié 492).”
Fired clay, painted in color and glazed. Number 125/150.
Picasso and Madoura edition.
Measurements: 25.5 x 2 cm.

This piece holds special significance because it reflects one of the artist’s most experimental periods. Far from viewing ceramics as a minor or merely decorative discipline, Picasso conceived of it as a medium capable of expanding the expressive possibilities of his work. The vessel ceases to be a simple container and becomes an active part of the composition, establishing a constant dialogue between the object’s form and the depicted image—one of the most innovative features of his ceramic work. The creation of *Visage No. 192* falls within one of the most fertile and innovative periods of the artist’s career. In the summer of 1946, during a visit to the annual ceramics exhibition in Vallauris on the French Riviera, Picasso met Georges and Suzanne Ramié, owners of the Madoura workshop. Fascinated by the sculptural possibilities of clay and by traditional ceramic techniques, he began working in the studio on an experimental basis. What initially seemed like a one-time experiment turned into a sustained commitment that lasted until the early 1970s, just a few years before his death in 1973. During this period, he created more than 3,500 ceramic works, including unique pieces, original editions, and limited editions—a body of work that constitutes one of the most significant collections of 20th-century artistic ceramics.

The iconography of the face occupies a prominent place in this body of work. Picasso reduces the essential features to a few lines of great graphic intensity, demonstrating that expressiveness does not depend on detail, but rather on the strength of the line and the relationship between the compositional elements. This synthesis—drawing on both Cubism and his interest in Iberian, African, and classical art—finds in ceramics an ideal medium for developing a language of great visual immediacy.

Pablo Picasso is one of the key figures in 20th-century art. A co-founder of Cubism alongside Georges Braque, he developed a career marked by constant formal innovation, from the Blue and Rose periods through Cubism, Classicism, ceramics, sculpture, and graphic art. His work is represented in institutions such as the Picasso Museum in Barcelona, the Musée national Picasso-Paris, MoMA in New York, the Tate in London, and the Reina Sofía Museum in Madrid.

COMMENTS

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This lot can be seen at the Setdart Madrid Gallery located at C/Velázquez, 7.

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