Pitcher; Royal Vienna, 19th century.
Glazed and gilded porcelain.
Marked on the base.
Measurements: 17 x 13.5 x 9 cm.
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DESCRIPTION
Jug; Royal Vienna, 19th century.
Glazed and gilded porcelain.
Marked on the base.
Measurements: 17 x 13.5 x 9 cm.
Beer mug with lid, also known as a tankard, made of porcelain and decorated with a painted scene depicting Telemachus and Calypso, an episode inspired by classical literary tradition. The composition is framed by elaborate borders featuring geometric, floral, and gilded motifs, characteristic of Royal Vienna’s production, where porcelain painting achieved a remarkable degree of technical refinement. The rich color palette, the delicacy of the design, and the use of gilding reflect the academic and historicist taste that predominated in European decorative arts during the second half of the 19th century, bringing compositions inspired by literature, mythology, and history painting to the ceramic medium.
The Royal Vienna tradition has its origins in the Porzellanmanufaktur Wien, founded in Vienna in 1718 by Claudius Innocentius du Paquier, one of Europe’s earliest porcelain manufactories. After becoming part of the Habsburg estate in 1744, the imperial factory achieved extraordinary prestige for the quality of its porcelain, the elegance of its forms, and the excellence of its painted decorations. Although the manufactory ceased operations in 1864, the name Royal Vienna continued to be associated with high-quality production for the international market, characterized by decorative pieces featuring complex pictorial designs and rich gilded finishes.
Between the late nineteenth and early twentieth centuries, beer mugs of this type gained considerable popularity among the European bourgeoisie and collectors, both for their ornamental function and for the prestige associated with Viennese porcelain. The choice of classical themes, such as the encounter between Telemachus and Calypso, reflected the nineteenth-century interest in antiquity and literature, transforming these pieces into symbolic objects that combined technical virtuosity, iconographic erudition, and a distinct decorative sensibility.
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