Large cooler; Based on designs by JACQUES ADNET, circa 1970.
Metal interior and black leather.
In very good overall condition. Shows signs of wear consistent with its age and use, particularly visible on the leather and metal parts, with no significant issues visible to the naked eye.
Measurements: 35 x 32 cm.
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DESCRIPTION
Large cooler; Based on designs by JACQUES ADNET, circa 1970.
Metal interior and black leather.
In very good overall condition. Shows signs of wear consistent with its age and use, particularly visible on the leather and metal parts, with no significant issues visible to the naked eye.
Measurements: 35 x 32 cm.
Elegant cooler bucket made around the 1970s, with an exterior
lined in black leather and a metal interior. The piece combines leather and brass in a
sophisticated and understated aesthetic, clearly in the style of Jacques Adnet, with a
refined aesthetic that evokes French equestrian-inspired design and a taste
for fine materials. With a striking and highly decorative presence, it serves as both a utilitarian object and a piece of interior design.
Jacques Adnet (France, 1900–1984) trained at the Municipal School of Design in Auxerre and at the École des Beaux-Arts in Paris. He was known for his leather designs. He emphasized the functional aspect of furniture combined with geometric simplicity and drew inspiration from pre-classical styles, having a deep understanding of traditional furniture. From 1928 to 1960, he directed the Compagnie des Arts Français. His team of interior designers included François Jourdain, Charlotte Perriand, and Georges Jouve. Adnet served as president of the Salon des Artistes Décorateurs from 1947 to 1949. During the 1950s, he designed furniture and focused on the numerous commissions he received, such as the decoration of the President’s private apartments at the Élysée Palace and the conference room at UNESCO headquarters in Paris. In 1959, he was appointed director of the École nationale supérieure des arts décoratifs in Paris, a position he held until 1970. Adnet exhibited at the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes. Clearly an avant-garde figure, Adnet was one of the first to envision the integration of metal and glass into the structure and decoration of furniture. In 1970, Adnet was appointed director of the École nationale supérieure des arts décoratifs.
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