Salvador Dalí

SALVADOR DALÍ I DOMÉNECH (Figueras, Girona, 1904 - 1989).
"Femme en flammes", 1981.
Bronze with golden patina. Exemplary E.A 20/35.
Enclosed certificate of authenticity signed by A. Reynolds Morse, President of the "Salvador Dalí Foundation".
Publisher: Cambest Ltd., London
Distributor: Inter Art Resources Ltd.
Signed, justified and with foundry stamp.
Measurements: 84 x 41 x 24 cm.
This work is part of the "Dalí Sculpture Collection" presented by Serena Fine Art. It has historical significance in the three-dimensional recreation of Dalí's concepts inspired by some of his most typical surrealist images. An example of this is preserved in the permanent collection of the Salvador Dalí Museum in St. Petersburg. The conception and inspiration for this work stems from the work entitled "The Flaming Giraffe" (Basel Art Museum), but it is not limited to being a sculptural version of his 1937 painting. The imposing female body is curved at torso level, bending backwards and covering her eyes with her right hand, thus extending the gesture of disorientation and loss of the woman with drawers in the 1937 painting. The elements of fire and the drawers converge in the statue as premonitory and psychological symbols. The flame here does not come out of a giraffe but crawls like a dragon's crests up a turned leg, along the front of which the drawers of the "anthropomorphic closet", as Dalí himself called it, follow one after the other. This motif was already present in the 1936 sculpture "Venus de Milo with boxes". "Only psychoanalysis can open those secret drawers," said Dalí, following Freud, who had used the metaphor of the chest of drawers to speak of the unconscious. In the Basel Museum painting, fire was linked to the Spanish Civil War and the premonition of World War II. In this monumental piece from 1980, on the other hand, it can be linked to eroticism and unsatisfied passion, in relation to the problems confessed by the artist of his sexual impotence. Likewise, the crutches (another basic prop of Dalí's imaginary) that support the muse's back suggest ambivalent meanings, since they are fragile anchors to reality and at the same time ways of accessing the subconscious. As for the technique, the bronze presents a high quality finish, appreciable in the modeling and textures. The dress adheres to the body emulating the Greek technique of wet cloths, giving sensuality to the curves and enigmatic power to the Dalinian allegory.

As the certificate states "According to Salvador Dalí's wish, this sculpture is realized in three patinas with an edition of 350 copies + 35 P.A. destined respectively to Europe, America and Asia. Once the edition is finished, the original mold will be destroyed".
Painter and sculptor, Salvador Dalí was one of the leading exponents of the surrealist movement. His work greatly influenced the course of surrealism during the twenties and thirties, being acclaimed as the creator of the paranoiac-critical method, an essential combination of the real and the imaginary. Most of his production is gathered in the Dalí Theater-Museum in Figueras, followed by the collection of the Salvador Dalí Museum in St. Petersburg (Florida), the Reina Sofía in Madrid, the Salvador Dalí Gallery in Pacific Palisades (California), the Espace Dalí in Montmartre (Paris) or the Dalí Universe in London.