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Italian school, following models of antiquity: c. 1900.

Auction Lot 40010993
Italian school, following models of antiquity: c. 1900.
"Discobolus".
Patinated bronze and green marble pedestal antico.
Measurements: 48 x 29 x 20 cm (total).

Open live auction
Estimated Value : 1,800 - 2,300 €
Live auction: 26 Nov 2025
Live auction: 26 Nov 2025 15:00
Remaining time: 26 days 17:21:18
Processing lot please standby
Next bid: 1500

BID HISTORY

DESCRIPTION

Italian school, following models of antiquity: c. 1900.
"Discobolus".
Patinated bronze and green marble pedestal antico.
Measurements: 48 x 29 x 20 cm (total).
Scale reproduction in patinated bronze of the "Discobolus", the most famous work of the Greek sculptor Myron of Eleutherus, made around 455 B.C. It is a high quality replica, executed in natural size, which reproduces with great fidelity the formal and expressive features of the lost original. The sculpture represents a young athlete at the culminating moment of the discus throw, capturing the precise moment of maximum muscular tension just before releasing the object. This snapshot stopped in time condenses an entire action into a single pose, exemplifying one of the fundamental principles of classical art: the dynamic synthesis of movement and balance.

The athlete's anatomy has been modeled with meticulous attention to detail, reflecting a deep understanding of the human body in motion. Each muscle seems charged with pent-up energy, conveying a sense of imminent displacement that contrasts with the stillness of the figure. However, despite the physical effort involved in the action, the face of the Discobolus remains serene, imperturbable, revealing an inner concentration and self-discipline typical of the Greek heroic ideal. This contrast between bodily tension and facial calm underlines the perfection and self-control that characterized the human ideal of the classical period.

The original was made in bronze using the lost wax technique, as was common in the great Greek statuary of the period. Unfortunately, as with most of the masterpieces of the classical period, the original sculpture has not come down to us, probably cast in late antiquity. However, its legacy survives thanks to the Roman copies in marble that were made in later centuries, the best known being the one preserved in the British Museum in London.

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