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Dish with satyr's face; Italy, XIX century.

Auction Lot 40041448
Dish with satyr's face; Italy, XIX century.
Siena marble.
Measurements: 8 x 37 x 37 cm.

Open live auction
Estimated Value : 6,000 - 7,000 €
Live auction: 27 May 2026
Live auction: 27 May 2026 15:00
Remaining time: 22 days 12:25:38
Processing lot please standby
Next bid: 4600

BID HISTORY

DESCRIPTION

Dish with satyr's face; Italy, XIX century.
Siena marble.
Measurements: 8 x 37 x 37 cm.
Ornamental dish made in Italy during the 19th century in Siena marble. The piece is presented as a piece of remarkable expressive force and technical refinement. Carved in relief on a circular surface, the face occupies the center of the composition with an almost sculptural presence, emerging from the polished background of the veined marble. The figure, with hybrid features between human and animal, with pointed ears, abundant beard and an ambiguous expression between mocking and disturbing, refers to the classical iconography of the satyr, and could be a representation of the god Pan, a divinity associated with wild nature and forests. The treatment of the hair and beard, worked with an almost pictorial detail, generates chiaroscuro effects that give the face dynamism, while the slight twisting of the features breaks the rigid frontality and animates the stony surface.
This piece must be understood in the cultural context of the Grand Tour, a phenomenon that, between the eighteenth and nineteenth centuries, led numerous travelers, mainly aristocrats and bourgeois from northern Europe, to tour Italy in search of aesthetic and intellectual training. In this context, objects such as this plate acquired a particular value as artistic souvenirs or as decorative elements evoking classical antiquity. The re-reading of Greco-Roman motifs, such as the figure of the satyr or Pan himself, responded to a neoclassical taste that combined archaeological erudition with a certain romantic idealization of the ancient. Thus, the plate is not only a decorative work, but also a testimony to the dialogue between past and present, in which Italian artisans reinterpreted classical models to satisfy the demand of a cultured and traveling public. The piece embodies, in short, the spirit of 19th century Europe: a fascination with antiquity filtered through modern sensibility, where nature, mythology and art converge in a harmonious and suggestive form.

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