Manolo Valdés

MANOLO VALDÉS BLASCO (Valencia, 1942).
"Count Duque".
Silkscreen on paper. Final art / color proof.
Work cataloged in the book "Fora de Serie, Serigrafies d'Ibero Suiza en la Col.lecció UPV", Universidad Politécnica de Valencia, 2013, pag 134.
Presents dry stamp of the printing house Ibero - Switzerland.
Measurements: 116 x 68.5 cm.
In Spain, the Ibero-Swiss company hosted from the mid-1960s to the 1990s the main Spanish artists. The serigrapher José Llopis made this firm an undisputed reference in terms of artistic printing. From artists linked to pop art, optical art or geometric art to Zóbel or Tàpies, as well as artists with a clear political commitment such as Renau, Genovés, Equipo Crónica or Equipo Realidad, all of them found in Ibero-Suiza screen printing an ideal technique for their projects: they liked its industrial character, its procedures, the effects and nuances obtained, and the affinity of all this with the resources of the media.
The Polytechnic University of Valencia pays tribute to screen printing with the exhibition and book FORA DE SÈRIE. The exhibition includes, among many others, works by artists of the stature of Renau, Saura, Tàpies, Yturralde, Equipo Crónica, Gordillo, Guerrero, Sempere, Equipo Realidad, Carmen Calvo and Mompó. All of them are part of the selection of 71 serigraphs of the Fons d'Art UPV, a legacy of the historic Ibero-Swiss workshop (1963-1998) that attracted the main Spanish artists to Valencia for decades.
Manolo Valdés introduced in Spain a form of artistic expression that combines political and social commitment with humor and irony. He began his training in 1957, when he entered the San Carlos School of Fine Arts in Valencia. However, two years later he abandoned his studies to devote himself fully to painting. In 1964 he founded the artistic group Equipo Crónica, together with Juan Antonio Toledo and Rafael Solbes, in which he remained until the latter's death in 1981, despite the fact that Toledo had left the group two years after its foundation. Since then he has settled in New York, where he currently resides and where he has continued to experiment with new forms of expression, including sculpture. Among the numerous awards Manolo Valdés has received are the Lissone and Biella of Milan, the silver medal of the II International Biennial of Engravings of Tokyo, the award of the Bridgestone Art Museum in Lisbon, the National Prize of Plastic Arts, the medal of the International Festival of Plastic Artists of Baghdad, the Decoration of the Order of Andres Bello in Venezuela, the award of the National Council of Monaco, the Gold Medal of Merit in Fine Arts, the Award of the Spanish Association of Art Critics and the Best Printmaking Artist Award, among others. Formally, Valdés creates a large format work in which lights and colors express tactile values, due to the treatment given to the materials. His work forces the viewer to delve into memory and search for significant images of the history of art. He is represented in some of the most important museums around the world, such as the Reina Sofía in Madrid, the Metropolitan, the MoMA and the Guggenheim in New York, the Georges Pompidou Center and the Fons National d'Arts Plastiques in Paris, the Kusnthalle in Hamburg, the Kunstmuseum in Berlin and the Museo de Bellas Artes in Bilbao, among many others.