Julio Le Parc

JULIO LE PARC (Mendoza, Argentina, 1928).
“Concretismo astratto,” 1982–1983.
Silkscreen print on Fabriano watermarked paper, numbered 33/99.
Signed in pencil.
Published by Club Friulano Amici della Grafica, Udine, 1983.
Certificate from the publisher included.
Provenance: Editeur Club Friulano Amici della Grafica, Udine; private collection.
Slight foxing along the edges.
Measurements: 50 x 35 cm.

A multidisciplinary artist associated with kinetic art, Julio Le Parc trained at the Prilidiano Peuyrredón School of Fine Arts in Buenos Aires, and in 1957 began working in the abstract tradition. The following year, he moved to Paris on a French government scholarship, where he founded the Groupe de Recherche d’Art Visuel and joined the Nouvelle Tendance group. In 1966, he held his first solo exhibition at the Sage de Howard Gallery (New York), and that same year he won first prize at the Venice Biennale. In 1967, he participated in a major group exhibition held at the Museum of Modern Art in Paris, and in 1972, the first retrospective of his work was held in Düsseldorf. His work is currently represented in the Tate Gallery in London, the National Museum of Fine Arts and the Proa Foundation in Buenos Aires, the Luis Ángel Arango Library in Colombia, and the Hirshhorn Museum and Sculpture Garden in Washington, D.C., among other public and private collections.